Defensive Measures: The Poetry of Niedecker, Bishop, Glück, and CarsonBucknell University Press, 2005 - 144 стор. Much of our strongest poetry that learned its lessons from early modernism lives by its defensive measures, that is, by means of reversing, inverting, and challenging in covert ways a dominant perceptual mode. Defensive Measures explores strategies by which poets claim their distinctiveness, and argues that poetry is the one literary form that most insistently demands a defense. It demands a defense, it would seem, because it is perpetually in crisis - not only in regard to its utility and its aesthetic appeal (or the vigor of its renunciation of such an appeal), but in regard to its generic existence. Upton defines a generative conception of defense and examines in a new light the poetry of Lorine Niedecker, Elizabeth Bishop, Louise Gluck, and Anne Carson. In writing about Bishop. Upton puts this well-regarded poet in a new framework, aligning her work with that of three poets whose aesthetics might be viewed as antithetical to her own ... |
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Сторінка 37
... creature that protects itself . The poem then posits an argument — that when humans look at nature they look at themselves — along with the suggestion that we are not sep- arable from our environment and may bring the same inspection to ...
... creature that protects itself . The poem then posits an argument — that when humans look at nature they look at themselves — along with the suggestion that we are not sep- arable from our environment and may bring the same inspection to ...
Сторінка 72
... creature displays a defensive measure : the toad's cry , the crab's agility , the snail's ability to withdraw . The creatures form a triptych of defenses in sound , movement , and recessive secrecy . We are aware of a near - comic ...
... creature displays a defensive measure : the toad's cry , the crab's agility , the snail's ability to withdraw . The creatures form a triptych of defenses in sound , movement , and recessive secrecy . We are aware of a near - comic ...
Сторінка 75
... creature , hands most often in back pockets , given to repeti- tion , afraid of what he might see , rewards attention . The Man- Moth is a figuration of psychic needs , pointedly a creature aligned to nonsense , for he is born of an ...
... creature , hands most often in back pockets , given to repeti- tion , afraid of what he might see , rewards attention . The Man- Moth is a figuration of psychic needs , pointedly a creature aligned to nonsense , for he is born of an ...
Зміст
Acknowledgments | 9 |
Defensive | 32 |
Defensive Nonsense in Elizabeth | 56 |
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Defensive Measures: The Poetry of Niedecker, Bishop, Glück, and Carson Lee Upton Обмежений попередній перегляд - 2005 |
Загальні терміни та фрази
aesthetic animates Anne Carson argues Autobiography of Red Beauty Bishop's poems body Boland boundaries Cambridge Charles Olson child Cid Corman contemporary context creates creature critics culture defense of poetry defensive measures desire distance Ecco Edited Edward Lear Elizabeth Bishop enacts Eros the Bittersweet erotic error essay experience focus Gender genre Glück's poems Glück's speaker human Ibid illusion imagination Jenny Penberthy John D'Agata Knopf language Lear Lear's letter linguistic Lorine Niedecker Louis Zukofsky Louise Glück lover lyric Man-Moth Marianne Moore Marjorie Perloff material meaning ment mind Moore's mouse narrative natural Niedecker's poems nonsense object Objectivism Objectivist perspective Peter Quartermain physical poem's poetic points Proofs & Theories prose Quartermain Rachel Blau Rachel Blau DuPlessis readers reflects resistance Robert Lowell scene scholarship seemingly seems sense sensory space spatial stanza suggests surface surrealism Susan tion tone turn ultimately visual voice Woman & Poet words writes York Zukofsky