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unselfish mind (and ill-health, for instance, may draw it), we should not quarrel with it if it contributed to the general mass of comfort, and were of a nature which general kindliness could not avoid. Made as we are, there are certain pains without which it would be difficult to conceive certain great and overbalancing pleasures. We may conceive it possible for beings to be made entirely happy; but in our composition something of pain seems to be a necessary ingredient, in order that the materials may turn to as fine account as possible, though our clay, in the course of ages and experience, may be refined more and more. We may get rid of the worst earth, though not of earth itself. Now the liability to the loss of children-or rather what renders us sensible of it, the occasional loss itself-seems to be one of these necessary bitters thrown into the cup of humanity. We do not mean that every one must lose one of his children in order to enjoy the rest; or that every individual loss afflicts us in the same proportion. We allude to the deaths of infants in general. These might be as few as we could render them. But if none at all ever took place, we should regard every little child as a man or woman secured; and it will easily be conceived what a world of endearing cares and hopes this security would endanger. The very idea of infancy would lose its continuity with us. Girls and boys would be future men and women, not present children. They would have attained their full growth in our imaginations, and might as well have been men and women at once. On the other hand, those who have lost an infant, are never, as it were, without an infant child. They are the only persons who, in one sense, retain it always, and they furnish their neighbours with the same idea. The other children grow up to manhood and womanhood, and suffer all the changes of mortality. This one alone is rendered an immortal child. Death has arrested it with his kindly harshness, and blessed it into an eternal image of youth and innocence.

Of such as these are the pleasantest shapes that

visit our fancy and our hopes. They are the eversmiling emblems of joy; the prettiest pages that wait upon imagination. Lastly, 'Of these are the kingdom of heaven.' Wherever there is a province of that benevolent and all-accessible empire, whether on earth or elsewhere, such are the gentle spirits that must inhabit it. To such simplicity, or the resemblance of it, must they come. Such must be the ready confidence of their hearts and creativeness of their fancy. And so ignorant must they be of the knowledge of good and evil,' losing their discernment of that self-created trouble, by enjoying the garden before them, and not being ashamed of what is kindly and innocent.

THOMAS DE QUINCEY

1785-1859

ON MURDER CONSIDERED AS ONE OF
THE FINE ARTS

To the Editor of Blackwood's Magazine'

SIR,-We have all heard of a Society for the Promotion of Vice, of the Hell-Fire Club, etc. At Brighton I think it was that a Society was formed for the Suppression of Virtue. That Society was itself suppressed-but I am sorry to say that another exists in London, of a character still more atrocious. In tendency, it may be denominated a Society for the Encouragement of Murder; but, according to their own delicate evpnuouòs, it is styled-The Society of Connoisseurs in Murder. They profess to be curious in homicide; amateurs and dilettanti in the various modes of bloodshed; and, in short, Murder-Fanciers. Every fresh atrocity of that class, which the police annals of Europe bring up, they meet and criticise as they would a picture, statue, or other work of art. But I need not trouble myself with any attempt to describe the spirit of their proceedings, as you will collect that much better from one of the Monthly Lectures read before the Society last year. This has fallen into my hands accidentally, in spite of all the vigilance exercised to keep their transactions from the public eye. The publication of it will alarm them; and my purpose is that it should. For I

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would much rather put them down quietly, by an appeal to public opinion through you, than by such an exposure of names as would follow an appeal to Bow Street; which last appeal, however, if this should fail, I must positively resort to. For it is scandalous that such things should go on in a Christian land. Even in a heathen land, the public toleration of murder was felt by a Christian writer to be the most crying reproach of the public morals. This writer was Lactantius; and with his words, as singularly applicable to the present occasion, I shall conclude:Quid tam horribile,' says he, tam tetrum, quam hominis trucidatio? Ideo severissimis legibus vita nostra munitur; ideo bella execrabilia sunt. Invenit tamen consuetudo quatenus homicidium sine bello ac sine legibus faciat: et hoc sibi voluptas quod scelus vindicavit. Quod si interesse homicidio sceleris conscientia est, et eidem facinori spectator obstrictus est cui et admissor; ergo et in his gladiatorum cædibus non minus cruore profunditur qui spectat, quam ille qui facit: nec potest esse immunis á sanguine qui voluit effundi; aut videri non interfecisse, qui interfectori et favit et præmium postulavit.' Human life,' says he, 'is guarded by laws of the uttermost rigour, yet custom has devised a mode of evading them in behalf of murder; and the demands of taste (voluptas) are now become the same as those of abandoned guilt.' Let the Society of Gentlemen Amateurs consider this; and let me call their especial attention to the last sentence, which is so weighty, that I shall attempt to convey it in English-Now, if merely to be present at a murder fastens on a man the character of an accomplice, if barely to be a spectator involves us in one common guilt with the perpetrator; it follows of necessity, that in these murders of the amphitheatre, the hand which inflicts the fatal blow is not more deeply imbrued in blood than his who sits and looks on; neither can he be clear of blood who has countenanced its shedding; nor that man seem other than

a participator in murder who gives his applause to the murderer, and calls for prizes in his behalf.' The 'præmia postulavit' I have not yet heard charged upon the Gentlemen Amateurs of London, though undoubtedly their proceedings tend to that; but the 'interfectori favit' is implied in the very title of this association, and expressed in every line of the lecture which I send you.—I am, etc. X. Z. Y.

[Note of the Editor.-We thank our correspondent for his communication, and also for the quotation from Lactantius, which is very pertinent to his view of the case; our own, we confess, is different. We cannot suppose the lecturer to be in earnest, any more than Erasmus in his Praise of Folly, or Dean Swift in his proposal for eating children. However, either on his view or on ours, it is equally fit that the lecture should be made public.]

LECTURE

GENTLEMEN,-I have had the honour to be appointed by your committee to the trying task of reading the Williams' Lecture on Murder, considered as one of the Fine Arts-a task which might be easy enough three or four centuries ago, when the art was little understood, and few great models had been exhibited; but in this age, when masterpieces of excellence have been executed by professional men, it must be evident, that in the style of criticism applied to them, the public will look for something of a corresponding improvement. Practice and theory must advance pari passu. People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed-a knife-a purse and a dark lane. Design, gentlemen, grouping, light and shade, poetry, sentiment, are now deemed indispensable to attempts of this nature. Mr. Williams has exalted the ideal of murder to all of us; and to me, therefore, in particular, has

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