Thomas Gray: The Progress of a PoetFairleigh Dickinson University Press, 1997 - 279 стор. "The book is divided into five chapters. The first examines Gray's earliest poems and imitations for evidence of his sense of himself as poet, of prosody, diction, sources, or traditions to utilize. By chapter 2, Gray's impulses toward his goal as a poet become more evident, as he is manifestly determined toward a life of poetry. The "Elegy" occupies chapter 3 - his drafts and composition of the poem, and the poem itself, the resolution to his complex of problems as poet and as man. Close study of Gray's notebooks in chapter 4 shows that the Pindaric odes, "The Progress of Poesy" and "The Bard," though ostensibly radically different from the "Elegy," were conceived at the same time as the "Elegy" and thus draw crucial depictions of his movement toward serious revision of English poetic style and his own role as poet in society. Chapter 5 continues Gray's scholarly impulse that led to the study and imitation of Pindar, as he turned to Northern European sources for proof of poetic antiquity equal to the Greek. He found what he wanted in Welsh and Norse lore and wrote several poems imitating their style."--BOOK JACKET. |
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Сторінка 68
... Sonnet on the Death of Mr Richard West , ' dated August 1742 , has been so jaundiced since William Wordsworth's criticism of it that it is difficult to read with fresh eyes . Though few now accept Wordsworth's view , a certain suspicion ...
... Sonnet on the Death of Mr Richard West , ' dated August 1742 , has been so jaundiced since William Wordsworth's criticism of it that it is difficult to read with fresh eyes . Though few now accept Wordsworth's view , a certain suspicion ...
Сторінка 71
... sonnet , nature continued without him , and he had no response to the loss . What is remarkable in this sonnet is that the poetic diction associated with nature is only in one respect negated : it still has a validity if one is open to ...
... sonnet , nature continued without him , and he had no response to the loss . What is remarkable in this sonnet is that the poetic diction associated with nature is only in one respect negated : it still has a validity if one is open to ...
Сторінка 74
... sonnet 170 to West : " Do you not see my soul in my wretched face , Cynthia ? " ( GP 308-9 ) . The opening lines of Gray's translation of Petrarch's sonnet would have had special poignance for Gray because West , Zephyrus , or the west ...
... sonnet 170 to West : " Do you not see my soul in my wretched face , Cynthia ? " ( GP 308-9 ) . The opening lines of Gray's translation of Petrarch's sonnet would have had special poignance for Gray because West , Zephyrus , or the west ...
Зміст
Introduction | 9 |
Early English Poems | 44 |
Elegy Written in a Country Churchyard | 105 |
Авторські права | |
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Загальні терміни та фрази
accept achieved appear Bard become beginning believe Books British called Cambridge classical complete composition continued create Critical death diction early edition effects Elegy emotional English epitaph Essays Eton expression eyes feeling final Gray's hand hear history of poetry human imagination imitation Italy John language later Latin letter lines live London manuscript Mason means memory mind Muses narrator narrator's nature notes object observed opening original Oxford passion pastoral perhaps phrases Pindaric poem poet poetic poetry present problem Progress question reflection relation revision rhyme role says scene seems seen sense sonnet sound sources spirit Spring stanza suggests things Thomas Gray thought tradition translation understand University Press verse vision voice Walpole Welsh West West's writing written wrote York
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