Thomas Gray: The Progress of a PoetFairleigh Dickinson University Press, 1997 - 279 стор. "The book is divided into five chapters. The first examines Gray's earliest poems and imitations for evidence of his sense of himself as poet, of prosody, diction, sources, or traditions to utilize. By chapter 2, Gray's impulses toward his goal as a poet become more evident, as he is manifestly determined toward a life of poetry. The "Elegy" occupies chapter 3 - his drafts and composition of the poem, and the poem itself, the resolution to his complex of problems as poet and as man. Close study of Gray's notebooks in chapter 4 shows that the Pindaric odes, "The Progress of Poesy" and "The Bard," though ostensibly radically different from the "Elegy," were conceived at the same time as the "Elegy" and thus draw crucial depictions of his movement toward serious revision of English poetic style and his own role as poet in society. Chapter 5 continues Gray's scholarly impulse that led to the study and imitation of Pindar, as he turned to Northern European sources for proof of poetic antiquity equal to the Greek. He found what he wanted in Welsh and Norse lore and wrote several poems imitating their style."--BOOK JACKET. |
З цієї книги
Результати 1-3 із 44
Сторінка 61
... spring fragrant with flowery breath " ( GP 330 ) . This is an interesting connection of Venus with spring / purple , which we saw in the Spring ode . In thirteen short translations Gray wrote from the Greek anthology ( published by ...
... spring fragrant with flowery breath " ( GP 330 ) . This is an interesting connection of Venus with spring / purple , which we saw in the Spring ode . In thirteen short translations Gray wrote from the Greek anthology ( published by ...
Сторінка 93
... Spring ode Gray made use of the abstractness , say , of " rosy - bosomed hours " for distancing the poet- narrator from personal emotion . When the diction slanted toward particularity ( " Poor moralist ! and what art thou ? / A ...
... Spring ode Gray made use of the abstractness , say , of " rosy - bosomed hours " for distancing the poet- narrator from personal emotion . When the diction slanted toward particularity ( " Poor moralist ! and what art thou ? / A ...
Сторінка 94
The Progress of a Poet B. Eugene McCarthy. Gray's " Ode on the Spring " is about alienation from the weather .... It certainly is not an ode to the Spring . It was written in response to Richard West's " Ode to May , " definitely an ...
The Progress of a Poet B. Eugene McCarthy. Gray's " Ode on the Spring " is about alienation from the weather .... It certainly is not an ode to the Spring . It was written in response to Richard West's " Ode to May , " definitely an ...
Зміст
Introduction | 9 |
Early English Poems | 44 |
Elegy Written in a Country Churchyard | 105 |
Авторські права | |
5 інших розділів не відображаються
Загальні терміни та фрази
accept achieved appear Bard become beginning believe Books British called Cambridge classical complete composition continued create Critical death diction early edition effects Elegy emotional English epitaph Essays Eton expression eyes feeling final Gray's hand hear history of poetry human imagination imitation Italy John language later Latin letter lines live London manuscript Mason means memory mind Muses narrator narrator's nature notes object observed opening original Oxford passion pastoral perhaps phrases Pindaric poem poet poetic poetry present problem Progress question reflection relation revision rhyme role says scene seems seen sense sonnet sound sources spirit Spring stanza suggests things Thomas Gray thought tradition translation understand University Press verse vision voice Walpole Welsh West West's writing written wrote York
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