Thomas Gray: The Progress of a PoetFairleigh Dickinson University Press, 1997 - 279 стор. "The book is divided into five chapters. The first examines Gray's earliest poems and imitations for evidence of his sense of himself as poet, of prosody, diction, sources, or traditions to utilize. By chapter 2, Gray's impulses toward his goal as a poet become more evident, as he is manifestly determined toward a life of poetry. The "Elegy" occupies chapter 3 - his drafts and composition of the poem, and the poem itself, the resolution to his complex of problems as poet and as man. Close study of Gray's notebooks in chapter 4 shows that the Pindaric odes, "The Progress of Poesy" and "The Bard," though ostensibly radically different from the "Elegy," were conceived at the same time as the "Elegy" and thus draw crucial depictions of his movement toward serious revision of English poetic style and his own role as poet in society. Chapter 5 continues Gray's scholarly impulse that led to the study and imitation of Pindar, as he turned to Northern European sources for proof of poetic antiquity equal to the Greek. He found what he wanted in Welsh and Norse lore and wrote several poems imitating their style."--BOOK JACKET. |
З цієї книги
Результати 1-3 із 30
Сторінка 171
... Pindaric nature of the ode , the relation of the themes of progress and power ( clarity of poem and of notes ) , Gray's transformation of the form according to his notion of lyric , and the ( “ musical " ) sound of the poem , which is ...
... Pindaric nature of the ode , the relation of the themes of progress and power ( clarity of poem and of notes ) , Gray's transformation of the form according to his notion of lyric , and the ( “ musical " ) sound of the poem , which is ...
Сторінка 194
... Pindaric energy with native British themes and prosody , merging oral and literary forms . He advanced his own art beyond that of the " Elegy " to an original poetic form that has no immediate predecessors or followers . " The Bard ...
... Pindaric energy with native British themes and prosody , merging oral and literary forms . He advanced his own art beyond that of the " Elegy " to an original poetic form that has no immediate predecessors or followers . " The Bard ...
Сторінка 195
... Pindaric in abrupt narration of events and quick transition ( yet to come ) , and although Pindaric dance is inconsistent with this work ( harmony and music remain with the monodic prophecy of the bardic voice ) , in this dramatic scene ...
... Pindaric in abrupt narration of events and quick transition ( yet to come ) , and although Pindaric dance is inconsistent with this work ( harmony and music remain with the monodic prophecy of the bardic voice ) , in this dramatic scene ...
Зміст
Introduction | 9 |
Early English Poems | 44 |
Elegy Written in a Country Churchyard | 105 |
Авторські права | |
5 інших розділів не відображаються
Загальні терміни та фрази
accept achieved appear Bard become beginning believe Books British called Cambridge classical complete composition continued create Critical death diction early edition effects Elegy emotional English epitaph Essays Eton expression eyes feeling final Gray's hand hear history of poetry human imagination imitation Italy John language later Latin letter lines live London manuscript Mason means memory mind Muses narrator narrator's nature notes object observed opening original Oxford passion pastoral perhaps phrases Pindaric poem poet poetic poetry present problem Progress question reflection relation revision rhyme role says scene seems seen sense sonnet sound sources spirit Spring stanza suggests things Thomas Gray thought tradition translation understand University Press verse vision voice Walpole Welsh West West's writing written wrote York
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