Art and Illusion in The Winter's TaleManchester University Press, 1994 - 283 стор. This work treats a single Shakespeare play from a number of perspectives. The author combines insights from contemporary psychology with art, social and stage histories to challenge the limits of current positivist critical theories. The book also has a central theme: how the dark side of art and illusion must be represented in order to establish the redemptive pattern which The Winter's Tale shares with Shakespeare's other late tragi-comedies. |
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Сторінка 65
... presentation of the false ' statue ' of Hermione with its ' paint ' obtrudingly wet . For them Shakespeare in his final ... presented subtleties for the discerning few and crowd- pleasing antics for the many . " But this very awkward ...
... presentation of the false ' statue ' of Hermione with its ' paint ' obtrudingly wet . For them Shakespeare in his final ... presented subtleties for the discerning few and crowd- pleasing antics for the many . " But this very awkward ...
Сторінка 127
... presented as having grown up unaware of her parentage . But , unlike the repletely pleonastic adage- strewing Fawnia , Perdita displays believable personal hesitations , fears and even limitations of viewpoint . Indeed the play's ...
... presented as having grown up unaware of her parentage . But , unlike the repletely pleonastic adage- strewing Fawnia , Perdita displays believable personal hesitations , fears and even limitations of viewpoint . Indeed the play's ...
Сторінка 186
... presented in ' Standards of Truth : The Arrested Image and the Moving Eye ' , 1976 , rpt pp . 244–77 in Gombrich , 1982 . 5 Ibid . , p . 271. It is probable that van Brissen's photographic image , reproduced p . 269 , is still visually ...
... presented in ' Standards of Truth : The Arrested Image and the Moving Eye ' , 1976 , rpt pp . 244–77 in Gombrich , 1982 . 5 Ibid . , p . 271. It is probable that van Brissen's photographic image , reproduced p . 269 , is still visually ...
Зміст
Aesthetic codes and Renaissance concepts | 10 |
Shakespeares portrait of the individual | 31 |
metamorphic | 55 |
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accept according actual appears Aretino argued artistic audience Autolycus bear become believe called Camillo chapter character claim colour complex concerning connection consider course court courtiers critics death described desire discussed effect emotional England English especially evidence expressed feelings figure Flora Florizel flowers Giulio Giulio Romano gives Gombrich hand Hermione Hermione's historical holds human idea imagination important instance interest interpretation Italian Italy John kind King knowledge late later Leontes less living marriage meaning mind nature offers original painted particular Paulina's Perdita perhaps play play's Polixenes possible present psychological question reading references relation Renaissance represented role says scene seems seen sexual Shake Shakespeare's shows similar social soliloquy sort specific statue stone studies suggest symbolic theatrical theory tion tradition visual Winter's Tale witchcraft witches writers
Посилання на книгу
Food in Shakespeare: Early Modern Dietaries and the Plays Joan Fitzpatrick Обмежений попередній перегляд - 2007 |