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In that still, thoughtful, solitary hour,

When Truth exerts her unresisted power,

Breaks the false optics tinged with fortune's glare,
Unlocks the breast, and lays the passions bare:
Then turn thy eyes on that important scene,
And ask thyself-if all be well within.
Where is the heart-felt worth and weight of soul,
Which labor could not stop, nor fear control?
Where the known dignity, the stamp of awe,
Which, half abashed, the proud and venal saw?
Where the calm triumphs of an honest cause?
Where the delightful taste of just applause ?
Where the strong reason, the commanding tongue,
On which the Senate fired or trembling hung!
All vanished, all are sold—and in their room,
Couched in thy bosom's deep, distracted gloom,
See the pale form of barbarous Grandeur dwell,
Like some grim idol in a sorcerer's cell!
To her in chains thy dignity was led;

At her polluted shrine thy honour bled;

With blasted weeds thy awful brow she crowned,
Thy powerful tongue with poisoned philters bound,
That baffled Reason straight indignant flew,
And fair Persuasion from her seat withdrew:
For now no longer Truth supports thy cause;
No longer Glory prompts thee to applause;
No longer Virtue breathing in thy breast,
With all her conscious majesty confest,

Still bright and brighter wakes the almighty flame,
To rouse the feeble, and the willful tame,
And where she sees the catching glimpses roll,
Spreads the strong blaze, and all involves the soul;
But cold restraints thy conscious fancy chill,
And formal passions mock thy struggling will;

Or, if thy Genius e'er forget his chain,

And reach impatient at a nobler strain,

Soon the sad bodings of contemptuous mirth

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Shoot through thy breast, and stab the generous birth,

Till, blind with smart, from truth to frenzy tost,

And all the tenor of thy reason lost,

Perhaps thy anguish drains a real tear;

While some with pity, some with laughter hear.

Ye mighty foes of liberty and rest,
Give way, do homage to a mightier guest!
Ye daring spirits of the Roman race,

See Curio's toil your proudest claims efface!—
Awed at the name, fierce Appius rising bends,

And hardy Cinna from his throne attends:

"He comes," they cry, "to whom the fates assigned
With surer arts to work what we designed,

From year to year the stubborn herd to sway,
Mouth all their wrongs, and all their rage obey;
Till owned their guide, and trusted with their power,
He mocked their hopes in one decisive hour;
Then, tired and yielding, led them to the chain,
And quenched the spirit we provoked in vain.”
But thou, Supreme, by whose eternal hands
Fair Liberty's heroic empire stands;
Whose thunders the rebellious deep control,
And quell the triumphs of the traitor's soul,
O turn this dreadful omen far away!
On Freedom's foes their own attempts repay;
Relume her sacred fire so near suppressed,
And fix her shrine in every Roman breast:
Though bold corruption boast around the land,
"Let virtue, if she can, my baits withstand!"
Though bolder now she urge the accursed claim,
Gay with her trophies raised on Curio's shame;
Yet some there are who scorn her impious mirth,
Who know what conscience and a heart are worth.

ASPIRATIONS AFTER THE INFINITE

From 'Pleasures of the Imagination>

Hо that, from Alpine heights, his laboring eye
Shoots round the wide horizon, to survey

WHO

Nilus or Ganges rolling his bright wave

Thro' mountains, plains, thro' empires black with shade, And continents of sand, will turn his gaze

To mark the windings of a scanty rill

That murmurs at his feet? The high-born soul
Disdains to rest her heaven-aspiring wing
Beneath its native quarry. Tired of earth
And this diurnal scene, she springs aloft
Through fields of air; pursues the flying storm;

Rides on the volleyed lightning through the heavens;
Or, yoked with whirlwinds and the northern blast,
Sweeps the long tract of day. Then high she soars
The blue profound, and, hovering round the sun,
Beholds him pouring the redundant stream
Of light; beholds his unrelenting sway
Bend the reluctant planets to absolve

The fated rounds of Time. Thence, far effused,
She darts her swiftness up the long career
Of devious comets; through its burning signs
Exulting measures the perennial wheel

Of Nature, and looks back on all the stars,
Whose blended light, as with a milky zone,
Invests the orient. Now, amazed she views
The empyreal waste, where happy spirits hold
Beyond this concave heaven, their calm abode;
And fields of radiance, whose unfading light
Has traveled the profound six thousand years,
Nor yet arrived in sight of mortal things.
Even on the barriers of the world, untired
She meditates the eternal depth below;
Till half-recoiling, down the headlong steep
She plunges; soon o'erwhelmed and swallowed up
In that immense of being. There her hopes
Rest at the fated goal. For from the birth
Of mortal man, the sovereign Maker said,
That not in humble nor in brief delight,

Nor in the fading echoes of Renown,
Power's purple robes, nor Pleasure's flowery lap,
The soul should find enjoyment: but from these
Turning disdainful to an equal good,

Through all the ascent of things enlarge her view,

Till every bound at length should disappear,

And infinite perfection close the scene.

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So can Fancy's dream rejoice,

So conciliate Reason's choice,

As one approving word of her impartial voice.
If to spurn at noble praise

Be the passport to thy heaven,
Follow thou those gloomy ways:
No such law to me was given,
Nor, I trust, shall I deplore me
Faring like my friends before me;

Nor an holier place desire

Than Timoleon's arms acquire,

And Tully's curule chair, and Milton's golden lyre.

PEDRO ANTONIO DE ALARCÓN

(1833-1891)

HIS novelist, poet, and politician was born at Guadix, in Spain, near Granada, March 10th, 1833, and received his early training in the seminary of his native city. His family destined him for the Church; but he was averse to that profession, subsequently studied law and modern languages at the University of Granada, and took pains to cultivate his natural love for literature and poetry. In 1853 he established at Cadiz the literary review Eco del Occidente (Echo of the West). Greatly interested in politics, he joined a democratic club with headquarters at Madrid. During the revolution of 1854 he published El Látigo (The Whip), a pamphlet in which he satirized the government. The spirit of adventure being always strong in him, he joined the African campaign under O'Donnell in 1859.

His next occupation was the editorship of the journals La Epoca and La Politica. Condemned to a brief period of exile as one of the signers of a protest of Unionist deputies, he passed this time in Paris. Shortly after his return he became involved in the revolution of 1868, but without incurring personal disaster. After Alfonso XII. came to the throne in 1875, he was appointed Councilor of State.

It was in the domain of letters, however, and more especially as a novelist, that he won his most enduring laurels. In 1855 he produced 'El Final de Norma' (The End of Norma), which was his first romance of importance. Four years later he began to publish that series of notable novels which brought him fame, both at home and abroad. The list includes 'El Sombrero de Tres Picos' (The Three

Cornered Hat), a charming genre sketch famous for its pungent wit and humor, and its clever portraiture of provincial life in Spain at the beginning of this century; 'La Alpujarra'; 'El Escándalo (The Scandal), a story which at once created a profound sensation because of its ultramontane cast and opposition to prevalent scientific opinion; 'El Niño de la Bola' (The Child of the Ball), thought by many to be his masterpiece; 'El Capitán Veneno' (Captain Veneno); 'Novelas Cortas (Short Stories), 3 vols.; and 'La Pródiga' (The Prodigal). Alarcón is also favorably known as poet, dramatic critic, and an incisive and effective writer of general prose.

His other publications comprise:-'Diario de un Testigo de la Guerra de Africa' (Journal of a Witness of the African War), a work which is said to have netted the publishers a profit of three million pesetas ($600,000); 'De Madrid à Nápoles' (from Madrid to Naples); 'Poesias Serias y Humorísticas' (Serious and Humorous Poems); 'Judicios Literários y Artísticos (Literary and Artistic Critiques); "Viages por España (Travels through Spain); (The Prodigal Son), a drama for children; and Ultimos Escritos > (Last Writings). Alarcón was elected a member of the Spanish Academy December 15th, 1875. Many of his novels have been translated into English and French. He died July 20th, 1891.

>

El Hijo Pródigo'

A WOMAN VIEWED FROM WITHOUT

From The Three-Cornered Hat'

HE and perhaps the most powerful reason which the

Tquality of the city-clergy as well as laymen, beginning

with the bishop and the corregidor-had for visiting the mill so often in the afternoon, was to admire there at leisure one of the most beautiful, graceful, and admirable works that ever left the hands of the Creator: called Seña [Mrs.] Frasquita. Let us begin by assuring you that Seña Frasquita was the lawful spouse of Uncle Luke, and an honest woman; of which fact all the illustrious visitors of the mill were well aware. Indeed, none of them ever seemed to gaze on her with sinful eyes or doubtful purpose. They all admired her, indeed, and sometimes paid her compliments, the friars as well as the cavaliers, the prebendaries as well as the magistrate, as a prodigy of beauty, an honor to her Creator, and as a coquettish and mischievous sprite, who innocently enlivened the most melancholy of spirits. "She is a handsome creature," the most virtuous prelate used to say. "She looks like an ancient Greek statue," remarked a learned

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