deepest convictions of other minds, will tend to develop the right use of vocal modulations and inflection. Problem LIV. For the development of inflectional agility, practice a great variety of emotions, with many degrees of earnestness, intensity, and emphasis. 231 BUT who the melodies of morn can tell? The wild brook babbling down the mountain side; the lowing herd; the sheepfold's simple bell; the pipe of early shepherd dim descried in the lone valley; echoing far and wide the clamorous horn along the cliffs above; the hollow murmur of the ocean tide; the hum of bees, the linnet's lay of love, and the full choir that wakes the universal grove. The cottage curs at early pilgrim bark; crowned with her pail the tripping milkmaid sings; the whistling ploughman stalks afield; and, hark! down the rough slope the ponderous wagon rings, through rustling corn the hare astonished springs; slow tolls the village clock the drowsy hour; the partridge bursts away on whirring wings; deep mourns the turtle in sequestered bower, and shrill lark carols clear from her aërial tower. 232 CAME the relief, "What, sentry, ho! James Beattie. How passed the night through thy long waking?" "Cold, cheerless, dark, as may befit The hour before the dawn is breaking." "No sight? no sound?" "No; nothing save And in yon western sky, about An hour ago, a star was falling," "A star? There's nothing strange in that." Somewhere had just relieved a picket." 233. VIRTUE. Bret Harte. SWEET day, so cool, so calm, so bright, the bridal of the earth and sky, the (lew shall weep thy fall to-night; for thou must die. Sweet rose, whose hue, angry and brave, bids the rash gazer wipe his eye, thy root is ever in its grave, and thou must die. Sweet spring, full of sweet days and roses, a box where sweets compacted lie, my music shows ye have your closes, and all must die. Only a sweet and virtuous soul, like seasoned timber, never gives; but though the whole world turn to coal, then chiefly lives. George Herbert. Problem LV. Practise selections with simple conversational flexibility, also practise the same extract in a variety of ways, with changes in point of view, situation, and purpose. 234 TWIST ye, twine ye! even so, mingle shades of joy and woe, Hope and fear and peace and strife, in the thread of human life. From "Guy Mannering.” 235. A MODEST WIT. A SUPERCILIOUs nabob of the east, haughty, being great, purse-proud, being rich, a governor, or general, at the least, I have forgotten which, had in his family a humble youth, who went from England in his patron's suite, an unassuming boy, and in truth a lad of decent parts and good repute. This youth had sense and spirit; but yet, with all his sense, excessive diffidence obscured his merit. One day at table, flushed with pride and wine, his honor, proudly free, severely merry, conceived it would be vastly fine to crack a joke upon his secretary. "Young man," he said, “by what art, craft, or trade did your father gain a livelihood?" "He was a saddler, sir," Modestus said, "and in his time was reckoned good." "A saddler, eh! and taught you Greek instead of teaching you to sew! Pray why did your father not make a saddler of you?" Each parasite then, as in duty bound, the joke applauded, and the laugh went round. At length Modestus, bowing low, said (craving pardon if too free he made), "Sir, by your leave, I fain would know your father's trade." "My father's trade! By heaven, that's too bad! My father's trade? Why, blockhead, are you mad? My father, sir, did never stoop so low, he was a gentleman, I'd have you know." Excuse the liberty I take," Modestus said, with archness on his brow, "Pray, why did not your father make a gentleman of you?" 236 66 Hamlet. O THAT this too too solid flesh would melt, Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! O God! How weary, stale, flat, and unprofitable Fie on't! O fie! 'tis an unweeded garden That grows to seed; things rank and gross in nature Hyperion to a satyr; so loving to my mother, By what it fed on; and yet, within a month, O God! a beast, that wants discourse of reason, Ere yet the salt of most unrighteous tears But break, my heart, for I must hold my tongue! Horatio, or I do forget myself. I am glad to see you well; Horatio. The same, my lord, and your poor servant ever. Hamlet. Sir, my good friend; I'll change that name with you; And what make you from Wittenberg, Horatio? Marcellus? Marcellus. My good lord, Hamlet. I am very glad to see you. (To Bernardo.) Good even, sir. But what, in faith, make you from Wittenberg? Horatio. A truant disposition, good my lord. Nor shall you do mine ear that violence, But what is your affair in Elsinore? We'll teach you to drink deep ere you depart. Horatio. My lord, I came to see your father's funeral. Hamlet. I pray thee, do not mock me, fellow-student; I think it was to see my mother's wedding. Horatio. Indeed, my lord, it followed hard upon. Hamlet. Thrift, thrift, Horatio! the funeral baked-meats Did coldly furnish forth the marriage tables. Would I had met my dearest foe in heaven Or ever I had seen that day, Horatio: My father, methinks I see my father. Horatio. Where, my lord? Hamlet. In my mind's eye, Horatio. Horatio. I saw ním - once, he was a goodly king. I shall not look upon his like again. Horatio. My lord, I think I saw him yesternight. Horatio. My lord, the king, your father. Hamlet. The king my father! Horatio. Season your admiration for a while With an attent ear, till I may deliver, Upon the witness of these gentlemen, This marvel to you. Horatio. Two nights together had these gentlemen, Marcellus and Bernardo, on their watch, In the dead vast and middle of the night, Been thus encounter'd. A figure like your father, Armed at point exactly, càp-a-pé, Appears before them, and with solemn march Within his truncheon's length; whilst they, distill'd Stand dumb, and speak not to him. In dreadful secrecy impart they did; This to me And I with them the third night kept the watch; Form of the thing, each word made true and good, The apparition comes: I knew your father; These hands are not more like. Hamlet. But where was this? Marcellus. My lord, upon the platform where we watch'd. Hamlet. Did you not speak to it? Horatio. My lord, I did; But answer made it none; yet once methought Itself to motion, like as it would speak: But even then the morning cock crew loud, And vanish'd from our sight. Hamlet. 'Tis very strange. Horatio. As I do live, my honour'd lord, 'tis true; And we did think it writ down in our duty To let you know of it. Hamlet. Indeed, indeed, sirs, but this troubles me. Hold you the watch to-night? Marcellus and Bernardo. We do, my lord. Hamlet. Arm'd, say you? Marcellus and Bernardo. Arm'd, my lord. Hamlet. From top to toe? Marcellus and Bernardo. My lord, from head to foot. Hamlet. Then saw you not his face? Horatio. O, yes, my lord; he wore his beaver up. Hamlet. What, look'd he frowningly? Horatio. It would have much amazed you. Hamlet. Very like, very like. Stay'd it long? Horatio. While one with moderate haste might tell a hundred. Marcellus and Bernardo. Longer, longer. Horatio. Not when I saw't. Hamlet. His beard was grizzled! no? Horatio. It was as I have seen it in his life, A sable silver'd. |