The Lives of the Most Celebrated English Poets, with Criticisms. Extracted from D. JohnsonGalignani, 1805 - 312 стор. |
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Сторінка 20
... common , and his activity in early life had been greater than such a form gave reason to expect : but he was subject to an infir- mity of the convulsive kind resembling the dis- temper called St. Vitus's dance ; and he had the seeds of ...
... common , and his activity in early life had been greater than such a form gave reason to expect : but he was subject to an infir- mity of the convulsive kind resembling the dis- temper called St. Vitus's dance ; and he had the seeds of ...
Сторінка 27
... common with others , but his sentiments were his own . Upon every subject he thought for himself ; and such was his copiousness of knowledge that something at once remote and applicable rushed into his mind ; yet it is not likely that ...
... common with others , but his sentiments were his own . Upon every subject he thought for himself ; and such was his copiousness of knowledge that something at once remote and applicable rushed into his mind ; yet it is not likely that ...
Сторінка 30
... common heroic of ten syllabes , and from him Dryden bor- rowed the practice whether ornamental or licen- cious . He considered the verse of twelve syllables as elevated and majestic , and has therefore deviated into 30 COWLEY .
... common heroic of ten syllabes , and from him Dryden bor- rowed the practice whether ornamental or licen- cious . He considered the verse of twelve syllables as elevated and majestic , and has therefore deviated into 30 COWLEY .
Сторінка 37
... common style of conversation . He repaid the Protector for his favours ( 1654 ) by the famous Panegyric which has always been considered as the first of his poetical productions . In the poem on the war with Spain are some passages at ...
... common style of conversation . He repaid the Protector for his favours ( 1654 ) by the famous Panegyric which has always been considered as the first of his poetical productions . In the poem on the war with Spain are some passages at ...
Сторінка 77
... common students , but his scholastic acquisitions seem not propor- tionate to his opportunities and abilities . He could not , like Milton or Cowley , have made his name illustrious merely by his learning . He mentions but few books ...
... common students , but his scholastic acquisitions seem not propor- tionate to his opportunities and abilities . He could not , like Milton or Cowley , have made his name illustrious merely by his learning . He mentions but few books ...
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acquaintance Addison Æneid afterwards appeared became Ben Jonson blank verse born called character church College comedy compositions court Cowley criticism daughter death delight diction died dramatic Dryden Dunciad Earl elegance eminent English English poetry Essay esteem excellence father favour friends friendship gave genius guineas honour Hudibras hundred pounds Iliad images Ireland JOHN MILTON Johnson kind King Kit-cat Club labour language Latin learning lived London Lord manner master Milton mind mother nature never numbers occasion Oxford Oxfordshire Paradise Lost performance perhaps pieces play poem poet poetical poetry Pope praise Prior produced published Queen received reputation retired returned rhyme satire Savage says seems sent sentiments Shakespeare shew sometimes soon Spenser stage supposed Swift thought tion told tragedy translated verse versification Waller Westminster Abbey Whigs William Davenant William Shakespeare Winchester College write written wrote
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Сторінка 291 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
Сторінка 114 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Сторінка 63 - But of all the borrowers from Homer, Milton is perhaps the least indebted. He was naturally a thinker for himself, confident of his own abilities, and disdainful of help or hindrance : he did not refuse admission to the thoughts or images of his predecessors, but he did not seek them.
Сторінка 252 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Сторінка 78 - Every thing is excused by the play of images and the spriteliness of expression. Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh; and though since his earlier works more than a century has passed they have nothing yet uncouth or obsolete.
Сторінка 309 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pomp dost lie, That kings for such a tomb would wish to die.
Сторінка 78 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word seems to drop by chance, though it falls into its proper place.
Сторінка 79 - The power that predominated in his intellectual operations was rather strong reason than quick sensibility. Upon all occasions that were presented, he studied rather than felt, and produced sentiments not such as nature enforces, but meditation supplies.
Сторінка 112 - Cato' it has been not unjustly determined, that it is rather a poem in dialogue than a drama, rather a succession of just sentiments in elegant language, than a representation of natural affections, or of any state probable or possible in human life. Nothing here " excites or assuages emotion :" here is " no magical power of raising fantastic terror or wild anxiety.
Сторінка 132 - Looking tranquillity ! It strikes an awe And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart. Give me thy hand, and let me hear thy voice; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.