The Theater of Teaching and the Lessons of Theater

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Domnica Radulescu, Maria Stadter Fox
Lexington Books, 2005 - 215 стор.
Radulescu (French and Italian literature, Washington and Lee University) and Fox, a comparative literature scholar, present a collection of essays by theater, literature, and language scholars from universities in the US on connections between theater and teaching. Eleven of the 15 essays are versions of papers given at the Fifth National Symposium on Theater in Academe. Viewing teaching as a type of performance and both theater and teaching as political and social acts, the contributors discuss drama pedagogy, new interpretations of texts and myths, cultural identity, humor, and historical staging. Further examinations are of performing, dramaturgy, teaching African theater, and Greek drama in a liberal arts setting. In addition, audience collaboration is investigated, as well as using storytelling to write about one's own past. One essay addresses women's influence in 16th-century theater. Annotation ©2005 Book News, Inc., Portland, OR (booknews.com).

З цієї книги

Зміст

What We Teach When We Teach Drama Current Drama Pedagogy in American Colleges and Universities
5
A Workshop on the ReCreative Approach to Performing and Teaching Theater The Example of Jarrys King Ubu
15
Ovids Story of Rape and Revenge and Wertenbakers The Love of the Nightingale
27
Durass India Song Broken Messenger Speech
35
Questions of Cultural Identity on the Contemporary Stage
45
When Humor Turns Uncanny Kleists Marionettes and Hoffmanns Mechanical Dolls
53
Toward a Model of Historical Staging Reconstruction of Spanish Golden Age Theater Fabia in Lope de Vegas El caballero de Olmedo
63
Performance Options and Pedagogy Titus Andronicus
77
A Griot in Americas Dairyland Experiments in African Theater with American University Students
113
The Teaching Theater Liberal Arts in Action
123
The Grandparents Project From Storytelling to Playwriting
133
Shenandoah Shakespeare and the Building of the Third Blackfriars Playhouse
143
Isabellas Trick or What a SixteenthCentury Comedienne Can Teach Us Today
161
Selected Bibliography
191
Index
203
About the Contributors

Vichy France on Stage The Polemic Use of Ancient Myths and Classic Tragedy
87
A Dramaturg Reenters the Academy
99

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Сторінка xvii - The term performance was employed there, as it was by several of the contributors to the collection, because it conveyed a dual sense of artistic action— the doing of folklore— and artistic event— the performance situation, involving performer, art form, audience, and setting— both of which are central to the developing performance approach to folklore. This usage accorded well with the conventional meaning of the term "performance...

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