THE

HISTORY OF PAINTING

IN

ITALY,

FROM THE PERIOD OF THE REVIVAL OF THE FINE ARTS TO THE END
OF THE EIGHTEENTH CENTURY: TRANSLATED FROM

THE ITALIAN OF THE

ABATE LUIGI LANZI.

BY THOMAS ROSCOE.

VOLUME II.

CONTAINING THE SCHOOLS OF NAPLES, VENICE, LOMBARDY, MANTUA,
MODENA, PARMA, CREMONA, AND MILAN.

New Edition, revised.

LONDON:

HENRY G. BOHN, YORK STREET, COVENT GARDEN.

1853.

EPOCH II.—Modern Neapolitan style, founded on the

schools of Raffaello and Michelangelo

PAGE

1

16

30

EPOCH III.-Corenzio, Ribera, Caracciolo, flourish in

Naples Strangers who compete with them...

EPOCH IV.-Luca Giordano, Solimene, and their scholars 54

EPOCH II.-Giorgione, Titian, Tintoretto, Jacopo da

Bassano, Paolo Veronese

...

EPOCH III.-Innovations of the mannerists of the seven-

teenth century. Corruption of Venetian paint-

ing

...

...

EPOCH IV. Of exotic and new styles in Venice

Book II.

SCHOOLS OF LOMBARDY.

СНАР. І.

MANTUAN SCHOOL.

EPOCH I.-Of Mantegna and his successors

EPOCH II.-Giulio Romano and his school

72

128

...

233

292

339

EPOCH III. Decline of the school, and foundation of an

academy in order to restore it

VOL. II.

a

...

...

...

...

...

...

EPOCH II.-Imitation of Raffaello and Correggio in the

sixteenth century

EPOCH III.-The Modenese artists of the seventeenth

century chiefly follow the example of the

Bolognese

...

...

PAGE

343

350

...

360

EPOCH II.-Correggio, and those who succeeded him in

...

his school

EPOCH III.-Parmese school of the Caracci, and of

other foreigners until the period of the foun-

dation of the academy

EPOCH II.-Camillo Boccaccino, Il Soiaro, the Campi.. 428

EPOCH III. Decline of the school of the Campi. Trotti

and other artists support it

EPOCH IV.-Foreign manners introduced into Cremona 449

EPOCH I.-Account of the ancient masters until the time

441

of Vinci

EPOCH II.-Vinci establishes an academy of design at

Milan. His pupils and the best native artists

down to the time of Gaudenzio

EPOCH III.-The Procaccini and other foreign and native

artists form a new academy, with new styles,

in the city and state of Milan

EPOCH IV. After the time of Daniele Crespi the art

declines. A third academy is founded for its

improvement ...

478

508

522