English Poetry: A Critical IntroductionBloomsbury Academic, 17 серп. 1978 р. - 220 стор. A history and criticism of English poetry. |
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... Marvell's ' To his Coy Mistress ' is far from clear : Let us roll all our strength and all Our sweetness up into one ball , And tear our pleasures with rough strife Through the iron gates of life . 4 The standard edition of Marvell by ...
... Marvell's ' To his Coy Mistress ' is far from clear : Let us roll all our strength and all Our sweetness up into one ball , And tear our pleasures with rough strife Through the iron gates of life . 4 The standard edition of Marvell by ...
Сторінка 71
... Marvell's lyrics must be read . They were written in the late 1640s and early 1650s by a man whose heart and head were divided . Marvell's heart was with the old world of mystical individualism which he associated with the unconscious ...
... Marvell's lyrics must be read . They were written in the late 1640s and early 1650s by a man whose heart and head were divided . Marvell's heart was with the old world of mystical individualism which he associated with the unconscious ...
Сторінка 186
... Marvell's picture - language . So far the analysis of the two passages has been verbal and stylistic . The apparent verbal identity is , as I have shown , contradicted by the very different figures of speech and stylistic conventions ...
... Marvell's picture - language . So far the analysis of the two passages has been verbal and stylistic . The apparent verbal identity is , as I have shown , contradicted by the very different figures of speech and stylistic conventions ...
Зміст
Poetic Meaning and the Poets Audience | 47 |
Poetry and Society | 57 |
Schools of Poetry | 73 |
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according alliteration apparently attempt Augustan beauty become beginning better called century classic clear Coleridge common compared complete contemporary context course critical derives described doubt edition effect Eliot emotional English English poetry essay essential example experience fact feeling final follows four function give Gray hand human important individual interest Keats kind language later less lines linguistic literary literature living meaning metaphor Milton mind nature never notes object once original Oxford particular passage past perhaps period poem poet poetic poetry political Pope possible question reader reference Renaissance Romantic seems sense similar social society sound stage stanza suggest symbolism synthesis theory thing thought translation true University verbal verse whole words Wordsworth writing written