The Spectator ...John Sharpe, 1803 |
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Сторінка 139
... language ; for otherwise , what may properly express a passion in one language will not do it in another . Every one who has been long in Italy knows very well , that the cadences in the recitativo bear a remote affinity to the tone of ...
... language ; for otherwise , what may properly express a passion in one language will not do it in another . Every one who has been long in Italy knows very well , that the cadences in the recitativo bear a remote affinity to the tone of ...
Сторінка 189
... language is very often noble and sonorous , but the sense either very trifling , or very common . On the contrary , in the ancient tragedies , and indeed in those of Corneille and Racine , though the expressions are very great , it is ...
... language is very often noble and sonorous , but the sense either very trifling , or very common . On the contrary , in the ancient tragedies , and indeed in those of Corneille and Racine , though the expressions are very great , it is ...
Сторінка 323
be honest in his actions , and refined in his language . Instead of this , our hero in this piece is a direct knave in his designs , and a clown in his language . Bellair is his admirer and friend ; in return for which , because he is ...
be honest in his actions , and refined in his language . Instead of this , our hero in this piece is a direct knave in his designs , and a clown in his language . Bellair is his admirer and friend ; in return for which , because he is ...
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acquaint acrostics ADDISON admiration Æneid agreeable anagrams ancient appear APRIL 13 April 26 Aristotle assembly audience beautiful behaviour called character Cicero club coffee-house conversation discourse dress DRYDEN Earl Douglas endeavour English entertainment eyes false favour genius gentleman give hand heard heart hero honour Hudibras humble servant humour Italian John Sharpe kind king lady laugh learned letter likewise lion live look lover manner March 15 means mind nature never night observed occasion opera OVID paper passion person Pharamond Pict piece play pleased pleasure poem poet Porus present prince reader reason rhymes ROSCOMMON scenes sense shew sion speak Spectator stage STEELE talk tell thing thou thought tion told town tragedy turn verse VIRG Virgil virtue whig whole woman women words writing young