The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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... strong blows to the audience , that I have never seen a player in this character , who did not exaggerate and strain to the utmost these ambiguous features , these temporary deformities in the character . They make him express a vul ...
... strong blows to the audience , that I have never seen a player in this character , who did not exaggerate and strain to the utmost these ambiguous features , these temporary deformities in the character . They make him express a vul ...
Сторінка 17
... strong- est expression of satirical indignation of which the face and voice are capable . But then , whe- ther Hamlet is likely to have put on such brutal appearances to a lady whom he loved so dearly , is never thought on . The truth ...
... strong- est expression of satirical indignation of which the face and voice are capable . But then , whe- ther Hamlet is likely to have put on such brutal appearances to a lady whom he loved so dearly , is never thought on . The truth ...
Сторінка 43
... strong lines against the harlot's profession , with which both parts of this play are offensively crowded . A satirist is always to be suspected , who , to make vice odious , dwells upon all its acts and minutest circumstances with a ...
... strong lines against the harlot's profession , with which both parts of this play are offensively crowded . A satirist is always to be suspected , who , to make vice odious , dwells upon all its acts and minutest circumstances with a ...
Сторінка 53
... strong fancy . There is something frightfully earnest in her in- vocations to the Familiar . CYRIL TOURNEUR . The Revengers ' Tragedy . - The reality and life of the dialogue , in which Vindici and Hippolito first tempt their mother ...
... strong fancy . There is something frightfully earnest in her in- vocations to the Familiar . CYRIL TOURNEUR . The Revengers ' Tragedy . - The reality and life of the dialogue , in which Vindici and Hippolito first tempt their mother ...
Сторінка 57
... ? Who can be so strong ? The ex- pression of this transcendant scene almost bears us in imagination to Calvary and the Cross ; and we seem to perceive some analogy between the scenical sufferings CONTEMPORARY WITH SHAKSPEARE . 57.
... ? Who can be so strong ? The ex- pression of this transcendant scene almost bears us in imagination to Calvary and the Cross ; and we seem to perceive some analogy between the scenical sufferings CONTEMPORARY WITH SHAKSPEARE . 57.
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WORKS OF CHARLES LAMB IN 2 PAR Charles 1775-1834 Lamb,W. H. Campbell,J. F. D. Crichton Stuart Попередній перегляд недоступний - 2016 |
Загальні терміни та фрази
1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give grief Hamlet hang heart Hogarth Honest Whore honour horror human humour images imagination Industry and Idle innocence John Tomkins judge Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder