The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 4
... speak , or the muscles utter intelligible sounds . But such is the instantaneous nature of the impressions which we take in at the eye and ear at a play- house , compared with the slow apprehension oftentimes of the understanding in ...
... speak , or the muscles utter intelligible sounds . But such is the instantaneous nature of the impressions which we take in at the eye and ear at a play- house , compared with the slow apprehension oftentimes of the understanding in ...
Сторінка 7
... speaking , whether it be in soliloquy or dialogue , is only a medium , and often a highly artificial one , for putting the reader or spectator into pos- session of that knowledge of the inner structure and workings of mind in a ...
... speaking , whether it be in soliloquy or dialogue , is only a medium , and often a highly artificial one , for putting the reader or spectator into pos- session of that knowledge of the inner structure and workings of mind in a ...
Сторінка 11
... speak of his eye , of the magic of his eye , and of his commanding voice : physical pro- perties , vastly desirable in an actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ...
... speak of his eye , of the magic of his eye , and of his commanding voice : physical pro- perties , vastly desirable in an actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ...
Сторінка 18
... speak indifferently of the Gamester and of Macbeth as fine stage performances , and praise the Mrs. Beverley in the same way as the Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia , are they less liked ...
... speak indifferently of the Gamester and of Macbeth as fine stage performances , and praise the Mrs. Beverley in the same way as the Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia , are they less liked ...
Сторінка 26
... on a stage . But how many dramatic personages are there in Shakspeare , which though more tractable and feasible ( if I may so speak ) than Lear , yet from some circumstance , some adjunct to 26 ON SHAKSPEARE'S TRAGEDies .
... on a stage . But how many dramatic personages are there in Shakspeare , which though more tractable and feasible ( if I may so speak ) than Lear , yet from some circumstance , some adjunct to 26 ON SHAKSPEARE'S TRAGEDies .
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The Works of Charles Lamb, Vol. 2: Poems, Plays and Miscellaneous Essays ... Charles Lamb Попередній перегляд недоступний - 2018 |
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1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give grief Hamlet hang heart Hogarth Honest Whore honour horror human humour images imagination Industry and Idle innocence John Tomkins judge Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder