The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 8
... delight which that form upon the whole gives us . But the practice of stage representation re- duces every thing to a controversy of elocution . Every character , from the boisterous blasphem- ings of Bajazet to the shrinking timidity ...
... delight which that form upon the whole gives us . But the practice of stage representation re- duces every thing to a controversy of elocution . Every character , from the boisterous blasphem- ings of Bajazet to the shrinking timidity ...
Сторінка 24
... delight which the words in the book convey , where the deed doing never presses upon us with the painful sense of pre- sence : it rather seems to belong to history , —to something past and inevitable , if it has any thing to do with ...
... delight which the words in the book convey , where the deed doing never presses upon us with the painful sense of pre- sence : it rather seems to belong to history , —to something past and inevitable , if it has any thing to do with ...
Сторінка 28
... leaves . So in the reading of the play , we see with Desdemona's eyes ; in the seeing of it , we are forced to look with our own . sufficiently account for the very different sort of delight with 28 ON SHAKSPEARE'S TRAGEDIES .
... leaves . So in the reading of the play , we see with Desdemona's eyes ; in the seeing of it , we are forced to look with our own . sufficiently account for the very different sort of delight with 28 ON SHAKSPEARE'S TRAGEDIES .
Сторінка 29
In Two Parts Charles Lamb. sufficiently account for the very different sort of delight with which the same play so often affects us in the reading and the seeing . It requires little reflection to perceive , that if those characters in ...
In Two Parts Charles Lamb. sufficiently account for the very different sort of delight with which the same play so often affects us in the reading and the seeing . It requires little reflection to perceive , that if those characters in ...
Сторінка 46
... delight . No- thing can be finer , more gentlemanlike , and nobler , than the conversation and compliments of these young men . How delicious is Raymond ' Mounchensey's forgetting , in his fears , that Jer- ningham has a " Saint in ...
... delight . No- thing can be finer , more gentlemanlike , and nobler , than the conversation and compliments of these young men . How delicious is Raymond ' Mounchensey's forgetting , in his fears , that Jer- ningham has a " Saint in ...
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1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give grief Hamlet hang heart Hogarth Honest Whore honour horror human humour images imagination Industry and Idle innocence John Tomkins judge Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder