The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 2
... Actor's genius bade them breathe anew ; Though , like the bard himself , in night they lay , Immortal Garrick call'd them back to day : And till Eternity with pow'r sublime Shall mark the mortal hour of hoary Time , Shakspeare and ...
... Actor's genius bade them breathe anew ; Though , like the bard himself , in night they lay , Immortal Garrick call'd them back to day : And till Eternity with pow'r sublime Shall mark the mortal hour of hoary Time , Shakspeare and ...
Сторінка 4
... actor , but even to identify in our minds in a perverse manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We ...
... actor , but even to identify in our minds in a perverse manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We ...
Сторінка 6
... acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from Henry the Fifth ...
... acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from Henry the Fifth ...
Сторінка 10
... actor , who comes and mouths them out before an audience , making four hundred people his confidants at once . I say not that it is the fault of the actor so to do ; he must pronounce them ore rotundo , he must accompany them with his ...
... actor , who comes and mouths them out before an audience , making four hundred people his confidants at once . I say not that it is the fault of the actor so to do ; he must pronounce them ore rotundo , he must accompany them with his ...
Сторінка 11
... actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ? what have they to do with intellect ? In fact , the things aimed at in theatrical repre- sentation , are to arrest the ...
... actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ? what have they to do with intellect ? In fact , the things aimed at in theatrical repre- sentation , are to arrest the ...
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1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give grief Hamlet hang heart Hogarth Honest Whore honour horror human humour images imagination Industry and Idle innocence John Tomkins judge Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder