Apuleius and Drama: The Ass on Stage

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OUP Oxford, 7 груд. 2006 р. - 400 стор.
Regine May discusses the use of drama as an intertext in the work of the 2nd century Latin author Apuleius, who wrote the only complete extant Latin novel, the Metamorphoses, in which a young man is turned into a donkey by magic. Apuleius uses drama, especially comedy, as a basic underlying texture, and invites his readers to use their knowledge of contemporary drama in interpreting the fate of his protagonist and the often comic or tragic situations in which he finds himself. May employs a close study of the Latin text and detailed comparison with the corpus of dramatic texts from antiquity, as well as discussion of stock features of ancient drama, especially of comedy, in order to explain some features of the novel which have so far baffled Apuleian scholarship, including the enigmatic ending. All Latin and Greek has been translated into English.
 

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Зміст

1 Introduction
1
2 Knowledge of Drama and Archaism in the Second Century
16
Apuleius Minor Works
45
Apuleius Apologia
73
5 The Texture of the Metamorphoses
109
6 The Drama of Aristomenes and Socrates
128
7 A Parasite in a Comic Household
143
Laughing at Laughter
182
A Divine Comedy
208
How Comedies Do Not End
249
Metamorphoses Book 10
269
Isis Dea ex machina?
307
13 Conclusion
329
Bibliography
333
Index
359

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Про автора (2006)

Regine May is Fellow and Tutor in Classical Languages and Literature at Merton College, University of Oxford.

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