Charting Shakespearean Waters: Text and TheatreNiels Bugge Hansen, Søs Haugaard Museum Tusculanum Press, 2005 - 164 стор. Charting Shakespearean Waters: Text and Theatre contains 11 wide-ranging essays on different plays and demonstrate a lively interest in Shakespeare: Shakespeare as text and Shakespeare as theatre; Shakespeare in his age and Shakespeare through the ages. These papers deal with contemporary contexts (Pericles and navigation; A Midsummer Night's Dream and Elizabethan household theatre); tradition, genre and a dialogic approach to Troilus and Cressida; language and style in Henry the Fourth Part One, and in the Sonnets; performance (past and present productions of Hamlet and Macbeth); translation (As You Like It) and modern appropriation (The Tempest). Angles on the English-Speaking World is published once a year and is intended as a lively forum for a broad range of literary, linguistic, cultural and historical studies from various theoretical standpoints. |
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Сторінка 79
... blood . This hart represents Peace , and is therefore personified as female : her lips are daubed with her own children's blood . A daub might suggest modern graffiti , as the word is often used dismissively of modern art : however ...
... blood . This hart represents Peace , and is therefore personified as female : her lips are daubed with her own children's blood . A daub might suggest modern graffiti , as the word is often used dismissively of modern art : however ...
Сторінка 94
... blood ? ' ( Ado IV.i.121-122 ) . We saw earlier how Paris's moral character was ' written in the margent of his eyes ' , yet Hero's moral flaw is ' printed ' in her blood . In Leonato's outraged vocabulary ' printed ' may mean ' clearly ...
... blood ? ' ( Ado IV.i.121-122 ) . We saw earlier how Paris's moral character was ' written in the margent of his eyes ' , yet Hero's moral flaw is ' printed ' in her blood . In Leonato's outraged vocabulary ' printed ' may mean ' clearly ...
Сторінка 131
... blood , and pauses to ask his wife the time . She replies and he asks her , instead , what it was that she said about Macduff not attending the feast . Her line , ' You lack the season of all natures , sleep ' ( 3.4 . 140 ) is the first ...
... blood , and pauses to ask his wife the time . She replies and he asks her , instead , what it was that she said about Macduff not attending the feast . Her line , ' You lack the season of all natures , sleep ' ( 3.4 . 140 ) is the first ...
Зміст
Editors Preface | 7 |
Tom Pettitt | 31 |
Dorrit Einersen | 45 |
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Charting Shakespearean Waters: Text and Theatre Niels Bugge Hansen,Søs Haugaard Обмежений попередній перегляд - 2005 |
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action actor Apollonius appears appropriation Ariel asks audience authority beauty become blood called Cambridge century changed characters continues Copenhagen course critical cultural death direction discourse discussion dramatic Dream early modern East German edition effect Elizabethan English essays eyes fear give given Greece Greek Hamlet hand household idea imagined included interest interlude John journey Juliet kind King known Lady leaves lines London Macbeth marks meaning narrative narrator nature never night Notes opening Oxford Pandarus Pentapolis performance perhaps Pericles play poem poet political possible present production Prologue question reason reference revels rhetoric role says scene seems seen sense Shakespeare silence soil Sonnet speak speech stage story suggest Tempest theatre thought tradition translation Troilus and Cressida true turn University Press voice writing written young