The Romantic PoetsHutchinson University Library, 1957 - 200 стор. Gray - Wordsworth and Coleridge - Byron - Shelley - Keats. |
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Сторінка 177
Graham Hough. That beauty is truth , truth beauty is not all that we know on earth , and certainly not all that we need to know . In the days when it was the custom to take romantic modes of expression simply at their face value these ...
Graham Hough. That beauty is truth , truth beauty is not all that we know on earth , and certainly not all that we need to know . In the days when it was the custom to take romantic modes of expression simply at their face value these ...
Сторінка 178
... Beauty - Beauty that must die , And Joy , whose hand is ever at his lips , Bidding adieu . It is therefore as vain to attempt to escape from this inevit- able pain as to expect a light not to cast shadows . Melancholy springs from the ...
... Beauty - Beauty that must die , And Joy , whose hand is ever at his lips , Bidding adieu . It is therefore as vain to attempt to escape from this inevit- able pain as to expect a light not to cast shadows . Melancholy springs from the ...
Сторінка 183
... beauty shall be first in might . ( II , 228 ) The simple Clymene follows and confirms Oceanus by testifying to the beauty of the young Apollo's music , which she has heard . What does this mean for the poem as a whole ? It means that ...
... beauty shall be first in might . ( II , 228 ) The simple Clymene follows and confirms Oceanus by testifying to the beauty of the young Apollo's music , which she has heard . What does this mean for the poem as a whole ? It means that ...
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actual Aeschylus Alastor Ancient Mariner appears attempt beauty become beginning Byron canto Childe Harold Coleridge Coleridge's conscious criticism death Don Juan dream E. M. W. Tillyard eighteenth century Elegy emotional Endymion English Excursion experience fancy Fanny Brawne feeling fragment Godwin Gray Gray's happiness heart historical human Hyperion I. A. Richards ibid ideal imagery images imagination intellectual Keats Keats's kind Kubla Kubla Khan language later liberal lines literary living Lycidas Lyrical Ballads Mary Shelley Milton mind moral nature never object obscure pantheism passages passion perhaps philosophical pleasure poem poet's poetry political preface Prelude Prometheus prose Queen Mab revolution revolutionary Romantic poets seems sense sensuous sentiment Shelley Shelley's society sonnets soul spirit spring stanza style symbol theme things thought Tintern Abbey tion traditional truth verse whole Words Wordsworth Wordsworth and Coleridge Wordsworthian worth's writing written