Center Or Margin: Revisions of the English Renaissance in Honor of Leeds BarrollSusquehanna University Press, 2006 - 318 стор. Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll includes essays by Catherine Belsey, Harry Berger, Jr., Philippa Berry, Raphael Falco, Jean E. Howard, Lena Cowen Orlin, Patricia Parker, Phyllis Rackin, Bruce R. Smith, Barbara Maria Stafford, Peter Stallybrass, and Susanne Woods. With sections on England at the Margins, Researching the Renaissance, The Human Figure on the Stage, and Artificial Persons, the collection makes interventions in historiography as well as history, literary interpretation, and also literary criticism. Some of the issues are England's marginal status in the sixteenth- and seventeenth- century world; the re-centering strategies of the Renaissance public theater in both time and space; mutually reinforcing fallacies engendered by common practices of canon formation and historical narrative; the central meanings of marginal characters in Shakespeare and Milton; |
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Сторінка 17
... bodies , discovering also how to capital- ize on the particular qualities of the actors at his disposal and how to culti- vate glamour as a commodity of the new entertainment industry . Shakespeare's dramaturgic successes were to help ...
... bodies , discovering also how to capital- ize on the particular qualities of the actors at his disposal and how to culti- vate glamour as a commodity of the new entertainment industry . Shakespeare's dramaturgic successes were to help ...
Сторінка 21
... body . And even in prehistoric cave- shelters there was undoubtedly shadow play against the walls . But she also emphasizes the significance of the optical innovations of the Renaissance . These demonstrate that ever since the sixteenth ...
... body . And even in prehistoric cave- shelters there was undoubtedly shadow play against the walls . But she also emphasizes the significance of the optical innovations of the Renaissance . These demonstrate that ever since the sixteenth ...
Сторінка 33
... bodies . In 1600 , the opposite was not true , not because Western Europe was not familiar to the Ottomans but because it was marginal to the Indian Ocean , which remained dominant in the global network of trade.34 And if mainland ...
... bodies . In 1600 , the opposite was not true , not because Western Europe was not familiar to the Ottomans but because it was marginal to the Indian Ocean , which remained dominant in the global network of trade.34 And if mainland ...
Сторінка 45
... bodies or entities . My understanding of this formulation is that Deleuze's " bodies " may be individually or socially constituted , and can therefore be equated with the body of a given culture or social group : " Incorporeal entities ...
... bodies or entities . My understanding of this formulation is that Deleuze's " bodies " may be individually or socially constituted , and can therefore be equated with the body of a given culture or social group : " Incorporeal entities ...
Сторінка 46
... body of my friend , / And every word in it a gaping wound / Issuing life - blood " ( 3.2.249-65 ) . More generally , the play implicitly mirrors and comments upon the peculiar signifying effects of the many incised and highly textured ...
... body of my friend , / And every word in it a gaping wound / Issuing life - blood " ( 3.2.249-65 ) . More generally , the play implicitly mirrors and comments upon the peculiar signifying effects of the many incised and highly textured ...
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Center Or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll John Leeds Barroll Перегляд фрагмента - 2006 |
Загальні терміни та фрази
actor Antony appears associated audience Augustine authority barbering beard begins body called Cambridge castration century character charismatic claim Cleopatra course critics cultural cutting describes desire domestic early modern effect Elizabeth Elizabethan England English Enobarbus essay example fact familiar figure final followers force Hall Hamlet hand hear Henry human Iago imagine important institutional interest Italy John kind king Lacan less lines live London long gallery marginal marriage masculinity means nature Norfolk notes object organ original Othello Ottoman performance play plot political present produced Queen reference relation Renaissance represented rhetorical Richard role Roman scene seems sense sexual Shakespeare signifier social soliloquy sound space speak speech stage story suggests texts theater theatrical Thomas tion Turk turn University Press Wives women York
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Сторінка 211 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Сторінка 281 - This is dispens'd, and what surmounts the reach Of human sense I shall delineate so, By lik'ning spiritual to corporal forms, As may express them best ; though what if earth Be but the shadow of heav'n ; and things therein Each to other like, more than on earth is thought?
Сторінка 206 - But methinks he should stand in fear of fire, being burnt i' the hand for stealing of sheep. [Aside. CADE. Be brave then ; for your captain is brave, and vows reformation. There shall be, in England, seven halfpenny loaves sold for a penny : the threehooped pot shall have ten hoops ; and I will make it felony to drink small beer: all the realm shall be in common, and in Cheapside shall my palfrey go to grass.
Сторінка 54 - The barge she sat in, like a burnish'd throne, Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes.
Сторінка 227 - And then I stole all courtesy from heaven, And dress'd myself in such humility, That I did pluck allegiance from men's hearts, Loud shouts and salutations from their mouths, Even in the presence of the crowned king.
Сторінка 139 - The Moor is of a free and open nature, That thinks men honest that but seem to be so ; And will as tenderly be led by the nose As asses are.
Сторінка 230 - And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes; And, like bright metal on a sullen ground, My reformation, glitt'ring o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Сторінка 233 - Cover your heads, and mock not flesh and blood With solemn reverence : throw away respect, Tradition, form, and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me I am a king?