The works of William Shakspere. Knight's Cabinet ed., with additional notes, Том 12 |
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Сторінка 24
... perfect , this proof of the admiration of Shakspere in the highest circle would , no doubt , be more conclusive . As it is , it is sufficient to support this general argument . During the life of Shakspere his surpassing popularity ...
... perfect , this proof of the admiration of Shakspere in the highest circle would , no doubt , be more conclusive . As it is , it is sufficient to support this general argument . During the life of Shakspere his surpassing popularity ...
Сторінка 32
... perfect all first in his own brain , to shape and attire his notions , to add or lop off before he committed one word to writing , and never touched pen till all was to stand as firm and immutable as if engraven in brass or marble ...
... perfect all first in his own brain , to shape and attire his notions , to add or lop off before he committed one word to writing , and never touched pen till all was to stand as firm and immutable as if engraven in brass or marble ...
Сторінка 65
... perfect lists , which do not extend over more than eight or nine years . Here are absolutely fourteen plays of Shakspere revived - for that is the phrase -in an age which was prolific of its own authors , adapting themselves to a new ...
... perfect lists , which do not extend over more than eight or nine years . Here are absolutely fourteen plays of Shakspere revived - for that is the phrase -in an age which was prolific of its own authors , adapting themselves to a new ...
Сторінка 80
... lain ; that is , the characters which should move our pity ought to have virtuous inclinations and degrees of moral goodness in them . As for a : perfect character of virtue , it never was in nature 80 HISTORY OF OPINION.
... lain ; that is , the characters which should move our pity ought to have virtuous inclinations and degrees of moral goodness in them . As for a : perfect character of virtue , it never was in nature 80 HISTORY OF OPINION.
Сторінка 81
William Shakespeare Charles Knight. perfect character of virtue , it never was in nature , and therefore , there can be no imitation of it : but there are allays of frailty to be allowed for the chief persons , yet so that the good which ...
William Shakespeare Charles Knight. perfect character of virtue , it never was in nature , and therefore , there can be no imitation of it : but there are allays of frailty to be allowed for the chief persons , yet so that the good which ...
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absurd action actor admiration amongst ancient appeared Beaumont and Fletcher beauties Ben Jonson century character comedy comic contemporaries copies criticism Cymbeline death delight drama dramatic poet dramatist Dryden edition editors evidence excellence exhibition expression fame folio French Garrick genius Gentlemen of Verona Hamlet hath Henry VI honour imitation Jonson judgment Julius Cæsar labour language Lear learning Love's Labour's Lost Macbeth Malone Measure for Measure mind nation nature never observed original Othello passage passions perhaps persons players poem poet's poetical poetry praise preface printed produced published quarto reader Richard Richard III Romeo and Juliet rules of art Rymer says scene Schlegel Shak Shakspere Shakspere's plays speaks Spenser spere Steevens taste theatre things thou thought tion Titus Andronicus tragedy tragic translation Troilus and Cressida truth unities verse Voltaire Wives of Windsor words writers written wrote
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Сторінка 30 - Yet must I not give Nature all; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat, (Such as thine are) and strike the second heat Upon the Muses...
Сторінка 25 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Сторінка 18 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Сторінка 42 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took ; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred, in such pomp dost lie, That kings, for such a tomb, would wish to die.
Сторінка 146 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
Сторінка 20 - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Сторінка 17 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Сторінка 30 - I remember, the players have often mentioned it as an honour to Shakespeare, that in his writing, whatsoever he penned, he never blotted out a line. My answer hath been, Would he had blotted a thousand.
Сторінка 34 - And joyed to wear the dressing of his lines ! Which were so richly spun. And woven so fit, As, since, she will vouchsafe no other wit The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie...
Сторінка 31 - ... his mind and hand went together ; and what he thought, he uttered with that easiness, that we have scarce received from him a blot in his papers.