Female Mourning in Medieval and Renaissance English Drama: From the Raising of Lazarus to King LearAshgate, 2006 - 254 стор. Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation. |
З цієї книги
Результати 1-3 із 65
Сторінка 185
... Hamlet struggles to distance himself from the powerful emotions that the image of Hecuba elicits . The interruptions of the player's speech by Hamlet and Polonius place increasing emphasis upon Hecuba until Polonius finally begs for the ...
... Hamlet struggles to distance himself from the powerful emotions that the image of Hecuba elicits . The interruptions of the player's speech by Hamlet and Polonius place increasing emphasis upon Hecuba until Polonius finally begs for the ...
Сторінка 186
... Hamlet's point of view , tragedy is no longer proportionate or adequate to its expected aesthetic role of articulating lamentable events to the human community in a morally efficacious way . Hamlet's critical remarks leading up to the ...
... Hamlet's point of view , tragedy is no longer proportionate or adequate to its expected aesthetic role of articulating lamentable events to the human community in a morally efficacious way . Hamlet's critical remarks leading up to the ...
Сторінка 191
... [ Hamlet ] raves " ( 2.2.150 ) . Hamlet's use of Ophelia parodies mourning ritual . While her lament is genuine , the circumstances are contrived , and she does not control the meaning of her utterance . The ambiguity of the events ...
... [ Hamlet ] raves " ( 2.2.150 ) . Hamlet's use of Ophelia parodies mourning ritual . While her lament is genuine , the circumstances are contrived , and she does not control the meaning of her utterance . The ambiguity of the events ...
Зміст
Female Mourning and Tragedy in Medieval English Drama | 31 |
Maternal Mourning and Tragedy in the Nativity and Passion Plays | 55 |
Residual Lament in the Resurrection Plays | 77 |
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Female Mourning in Medieval and Renaissance English Drama: From the Raising ... Katharine Goodland Обмежений попередній перегляд - 2006 |
Female Mourning and Tragedy in Medieval and Renaissance English Drama: From ... Katharine Goodland Обмежений попередній перегляд - 2017 |
Female Mourning and Tragedy in Medieval and Renaissance English Drama: From ... Katharine Goodland Попередній перегляд недоступний - 2016 |
Загальні терміни та фрази
audience bereaved body burial Catholic Christ Christian Christian eschatology church compassion consolers Constance Constance's contrast corpse cries cultural curses cycle dead death deceased early modern echoes Elizabeth embody emotional England excessive female grief female lament female mourning feminine funeral gendered genre God's Hamlet haue Hecuba Herod holy women husband iconoclasm Jesus King John King Lear Lady Lazarus Lazarus's Lear's lord Lucrece lyric Magdalene's Mary Magdalene Mary's medieval drama medieval English drama memory Michael Neill mothers mourner mourning ritual mourning women N-Town narrative Ophelia Passion performance pietà play poetic political Polonius portrayal post-Reformation prayer Purgatory Queen Reformation Renaissance revenge Richard Richard III rites ritual lament role scene sermon Shakespeare's sisters social son's sorrow spiritual stage suffering suggests tears thou three Maries Titus Andronicus tomb Towneley Towneley play tradition tragedy tragic University Press Virgin Mary wailing weeping widow woman women's laments words York þat