Speech and Performance in Shakespeare's Sonnets and PlaysCambridge University Press, 17 жовт. 2002 р. - 262 стор. David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. |
Зміст
Acknowledgements page viii | 1 |
the sonnets Antony and Cleopatra | 29 |
the sonnets Loves Labours Lost Romeo | 59 |
Juliet and Twelfth Night 5999 | 102 |
the sonnets Romeo and Juliet Troilus | 150 |
the sonnets and Alls Well that Ends Well | 198 |
Conclusion | 238 |
| 253 | |
Інші видання - Показати все
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Обмежений попередній перегляд - 2002 |
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Попередній перегляд недоступний - 2002 |
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Попередній перегляд недоступний - 2007 |
Загальні терміни та фрази
All's anti-theatrical argues argument audience beauty beloved beloved's Bertram Cambridge character Chicago claims concepts context criticism dark lady dark woman declaration Desdemona desire discourse doth early modern Elizabethan embodied enacts erotic Essays eyes fact fair fictional Fineman G. E. M. Anscombe Hamlet heart Helen historical ideological illocutionary interaction interiority inwardness language games literary London loue Love's Labour's Lost lover lyric meaning merely metaphysical mutual Olivia Othello Oxford paradigm paradox performative perlocutionary Petrarchan play player player-poet poem poet poetic poetry political proper name Quarto reading reciprocity recognise relations relationship Renaissance render representation rhetorical Romeo and Juliet scene self-authorising sense sexual Shakespeare Quarterly Shakespeare's sonnets silence sonnet 23 sonnet 44 speak speech acts stage texts theatre theatrical thee thing thou trans transform Troilus and Cressida truth Twelfth Night University Press Vendler voice vows Wittgenstein women words young