I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting

Передня обкладинка
Hal Leonard Corporation, 1998 - 180 стор.
(Limelight). The most successful African-American playwright of his time, August Wilson is a dominant presence on Broadway and in regional theaters throughout the country. Herrington traces the roots of Wilson's drama back to the visual artists and jazz musicians who inspired award-winning plays like Ma Rainey's Come and Gone , Fences and The Piano Lesson . From careful analysis of evolving playscripts and from interviews with Wilson and theater professionals who have worked closely with him, Herrington offers a portrait of the playwright as thinker and craftsman.
 

Зміст

Introduction
1
A Brief Professional Biography
11
August Wilsons Inspiration
20
The Development of Ma Raineys Black Bottom
41
August Wilson at the Eugene ONeill Theater Centers National Playwrights Conference
51
The Development of Fences
63
The Development of Joe Turners Come and Gone
79
August Wilson at the Yale Repertory Theatre and on the Road to Broadway
95
August Wilsons Round Trip
113
Conclusion
131
Notes
149
Sources Cited
165
Index
175
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Посилання на книгу

The Past as Present in the Drama of August Wilson
Harry Justin Elam
Обмежений попередній перегляд - 2004

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