Signs of Music: A Guide to Musical Semiotics

Передня обкладинка
Walter de Gruyter, 2002 - 224 стор.

Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.

 

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Зміст

Is music sign?
3
Signs in music history history of music semiotics
27
On musical situations
65
On corporeal
117
Body and transcendence in Chopin
129
Voice and identity
157
Notes
199
Name index
219
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Les métamorphoses du son: matérialité imaginative de l'écoute musicale
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Про автора (2002)

Eero Tarasti is Professor at the University of Helsinki, Finland.

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