Romanticism and Religion from William Cowper to Wallace StevensGavin Hopps, Jane Stabler Ashgate, 2006 - 262 стор. The relationship between literature and religion is one of the most groundbreaking and challenging areas of Romantic studies. Covering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper and its proleptic stirrings in Paradise Lost to late-twentieth-century manifestations in the work of Wallace Stevens, the essays in this timely volume explore subjects such as Romantic attitudes towards creativity and its relation to suffering and religious apprehension; the allure of the 'veiled' and the figure of the monk in Gothic and Romantic writing; Miltonic light and inspiration in the work of Blake, Wordsworth, Shelley, and Keats; the relationship between Southey's and Coleridge's anti-Catholicism and definitions of religious faith in the Romantic period; the stammering of Romantic attempts to figure the ineffable; the emergence of a feminised Christianity and a gendered sublime; the development of Calvinism and its role in contemporary religious controversies. Its primary focus is the canonical Romantic poets, with a particular emphasis on Byron, whose work is most in need of critical re-evaluation given its engagement with the Christian and Islamic worlds and its critique of totalising religious and secular readings. The collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory. |
З цієї книги
Результати 1-3 із 46
Сторінка 26
... Milton's God directly . This is an inversion of the motif of ' inner sight ' , traditionally held to arise as symbolic compensation for Milton's physical blindness , in which we view the poet as a modern - day Tiresias . Nicola Trott ...
... Milton's God directly . This is an inversion of the motif of ' inner sight ' , traditionally held to arise as symbolic compensation for Milton's physical blindness , in which we view the poet as a modern - day Tiresias . Nicola Trott ...
Сторінка 29
... Milton's very real difficulty in approaching the divine . As Milton wrestles with the poet's relationship with a God cast in light who resists approach , so too , it seems , does the Romantic visionary . A common language appears to be ...
... Milton's very real difficulty in approaching the divine . As Milton wrestles with the poet's relationship with a God cast in light who resists approach , so too , it seems , does the Romantic visionary . A common language appears to be ...
Сторінка 36
... Milton's formula of invocation and inapproachability is preserved . Wordsworth perhaps makes more overt personal identification with Milton later in life , no doubt due in part to his own waning powers of sight but also his awakened ...
... Milton's formula of invocation and inapproachability is preserved . Wordsworth perhaps makes more overt personal identification with Milton later in life , no doubt due in part to his own waning powers of sight but also his awakened ...
Зміст
Self Nature Society | 41 |
Wordsworths Faithful Scepticism | 57 |
Southey Coleridge and English Romantic | 75 |
Авторські права | |
12 інших розділів не відображаються
Інші видання - Показати все
Romanticism and Religion from William Cowper to Wallace Stevens Gavin Hopps,Jane Stabler Обмежений попередній перегляд - 2006 |
Romanticism and Religion from William Cowper to Wallace Stevens Gavin Hopps Обмежений попередній перегляд - 2016 |
Romanticism and Religion from William Cowper to Wallace Stevens Dr Gavin Hopps,Dr Jane Stabler Обмежений попередній перегляд - 2013 |
Загальні терміни та фрази
according angels appears approach argues attempt become belief Book Byron Cain Catholic Catholicism Chalmers chapter Childe Christian Church claim close Coleridge Complete concerned confession Cowper criticism darkness death describes divine Don Juan England English essay evil example existence experience expression fact faith fall feeling figure final fragments grace hand Harold heaven human imagination interest Italy John Keats kind language less Letters light lines London look matter meaning Milton mind moral nature notes offers once opening Oxford perhaps philosophy play poem poet poetic poetry political possible postmodern present question reader reading references relation relationship religion religious represents response Romantic Romanticism scepticism secular seems seen sense Shelley Shelley's Southey speak spirit suffering suggests theological things thought tradition truth turn University Press vision vols Wordsworth writing