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Or on the upland stile embower'd,
With fragrant hawthorn snowy flower'd,
Will sauntering sit, and listen still
To the herdsman's oaten quill,
Wafted from the plain below;
Or the heifer's frequent low;
Or the milkmaid in the grove,
Singing of one that died for love:
Or when the noontide heats oppress,
We will seek the dark recess,

Where, in the embower'd translucent stream,
The cattle shun the sultry beam,
And o'er us, on the marge reclined,
The drowsy fly her horn shall wind,
While Echo, from her ancient oak,
Shall answer to the woodman's stroke;
Or the little peasant's song,
Wandering lone the glens among,
His artless lip with berries dyed,
And feet through ragged shoes descried.

But, oh! when evening's virgin queen
Sits on her fringed throne serene,
And mingling whispers, rising near,
Steal on the still reposing ear:
While distant brooks decaying round,
Augment the mix'd dissolving sound,
And the zephyr, flitting by,
Whispers mystic harmony,
We will seek the woody lane,
By the hamlet, on the plain,
Where the weary rustic nigh
Shall whistle his wild melody,
And the creaking wicket oft

Shall echo from the neighbouring croft ;
And as we trace the green path lone,
With moss and rank weeds overgrown,

We will muse on pensive lore

Till the full soul, brimming o'er,
Shall in our upturn'd eyes appear,
Embodied in a quivering tear :
Or else, serenely silent, set
By the brawling rivulet,
Which on its calm unruffled breast,
Bears the old mossy arch impress'd,
That clasps its secret stream of glass
Half hid in shrubs and waving grass,
The wood-nymph's lone secure retreat,
Unpress'd by fawn or sylvan's feet,
We'll watch, in eve's ethereal braid,
The rich vermilion slowly fade;
Or catch, faint twinkling from afar,
The first glimpse of the eastern star,
Fair Vesper, mildest lamp of light,
That heralds in imperial night;
Meanwhile, upon our wandering ear,
Shall rise, though low, yet sweetly clear,
The distant sounds of pastoral lute,
Invoking soft the sober suit

Of dimmest darkness-fitting well
With love or sorrow's pensive spell
(So erst did music's silver tone
Wake slumbering Chaos on his throne.)
And haply then, with sudden swell,
Shall roar the distant curfew-bell,
While in the castle's mouldering tower
The hooting owl is heard to pour

Her melancholy song, and scare
Dull Silence brooding in the air.
Meanwhile her dusk and slumbering car
Black-suited Night drives on from far,
And Cynthia, 'merging from her rear
Arrests the waxing darkness drear,
And summons to her silent call,
Sweeping in their airy pall,
The unshrived ghosts in fairy trance,
To join her moonshine morris-dance:
While around the mystic ring

The shadowy shapes elastic spring,
Then with a passing shriek they fly,
Wrapt in mists, along the sky,
And oft are by the shepherd seen,
In his lone night-watch on the green.

Then, hermit, let us turn our feet
To the low abbey's still retreat,
Embower'd in the distant glen,
Far from the haunts of busy men,
Where, as we sit upon the tomb,
The glow-worm's light may gild the gloom
And show to Fancy's saddest eye,
Where some lost hero's ashes lie,
And oh! as through the mouldering arch,
With ivy fill'd and weeping larch,
The night-gale whispers sadly clear,
Speaking drear things to Fancy's ear,
We'll hold communion with the shade
Of some deep-wailing ruin'd maid-
Or call the ghost of Spenser down,
To tell of woe and Fortune's frown;
And bid us cast the eye of hope
Beyond this bad world's narrow scope.
Or if these joys, to us denied,

To linger by the forest's side;

Or in the meadow, or the wood,

Or by the lone romantic flood;

Let us in the busy town,

When sleep's dull streams the people drown,
Far from drowsy pillows flee,

And turn the church's massy key;
Then, as through the painted glass
The moon's faint beams obscurely pass;

And darkly on the trophied wall,
Her faint ambiguous shadows fall;
Let us, while the faint winds wail,
Through the long reluctant aisle,
As we pace with reverence meet,
Count the echoings of our feet:
While from the tombs, with confess'd breath,
Distinct responds the voice of death.

If thou, mild sage, wilt condescend
Thus on my footsteps to attend,
To thee my lonely lamp shall burn,
By fallen Genius' sainted urn,
As o'er the scroll of Time I pore,
And sagely spell of ancient lore,
Till I can rightly guess of all
That Plato could to memory call,
And scan the formless views of things,
Or with old Egypt's fetter'd kings,
Arrange the mystic trains that shine
In night's high philosophic mine;
And to thy name shall e'er belong
The honours of undying song.

DESCRIPTION OF A SUMMER'S EVE.

Down the sultry arc of day

The burning wheels have urged their way,
And eve along the western skies
Spreads her intermingling dyes.
Down the deep, the miry lane,
Creaking comes the empty wain,
And driver on the shaft-horse sits,
Whistling now and then by fits;
And oft, with his accustom'd call,
Urging on the sluggish Ball.

The barn is still, the master's gone,
And thresher puts his jacket on,
While Dick, upon the ladder tall,
Nails the dead kite to the wall.
Here comes shepherd Jack at last,
He has penn'd the sheep-cote fast,
For 'twas but two nights before,
A lamb was eaten on the moor:
His empty wallet Rover carries,
Now for Jack, when near home, tarries.
With lolling tongue he runs to try
If the horse-trough be not dry.
The milk is settled in the pans,
And supper messes in the cans;
In the hovel carts are wheel'd,
And both the colts are drove a-field;

The horses are all bedded up,
And the ewe is with the tup,
The snare for Mister Fox is set,
The leaven laid, the thatching wet
And Bess has slink'd away to talk
With Roger in the holly-walk.

Now, on the settle all, but Bess,
Are set to eat their supper mess;
And little Tom, and roguish Kate,
Are swinging on the meadow gate.
Now they chat of various things,
Of taxes, ministers, and kings,
Or else tell all the village news,
How madam did the squire refuse;
How parson on his tithes was bent,
And landlord oft distrain'd for rent.
Thus do they, till in the sky

The pale-eyed moon is mounted high
And from the alehouse drunken Ned
Had reel'd-then hasten all to bed.
The mistress sees that lazy Kate
The happing coal on kitchen grate
Has laid-while master goes throughout,
Sees shutters fast, the mastiff out,
The candles safe, the hearths all clear,
And nought from thieves or fire to fear:
Then both to bed together creep,
And join the general troop of sleep.

GEORGE GORDON BYRON.

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bonum, as at once unphilosophical and derogatory to the character of any man, who seeks to live "for aye, in Fame's eternal temple." Nil nisi verum, should be the motto of the dead. It may be ungracious to disobey the mandate,

GEORGE GORDON BYRON was born in Holles time to discard the old superstition, Nil nisi street, London, on the 22d of January, 1788. He was the grandson of the celebrated Admiral, and succeeded his great uncle, William Lord Byron, in 1798. On his elevation to the peerage, he was removed from the care of his mother, and placed at Harrow by his guardian,-the Earl of Carlisle. In 1805, he was entered at Trinity College, Cambridge; and took up his permanent residence at Newstead Abbey, the family seat. In 1807, he published at Newark, his Hours of Idleness;" they were attacked with considerable bitterness in the "Edinburgh Review," and his memorable "Satire" followed. His various "Works" succeeded with wonderful rapidity. In 1815, he married the daughter of Sir Ralph Milbank Noel: a separation took place soon afterwards, and the Poet went abroad,-residing at Geneva, and in various cities of Italy. In August, 1823, he embarked in the cause of Greece; and died at Missolonghi, on the 19th of April, 1824.

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"Lift not thy spear against the Muse's bower," but the warning cannot have reference to the spear of Ithuriel. Truth is so precious, that it never costs too much. We protest at the outset of our labours against all reference to private character, and comment upon private life; but we must always except cases where they are mixed up with polished writings which influence, and are designed to influence, the universal mind. Many of the Poems of Lord Byron have a dangerous tendency; they are calculated to remove the hideous features of vice, and present it, if not in a tempting, at least in a natural and pardonable light. Whether it was a genuine sentiment, or a gross affectation, it matters not; but it was the frequent boast of the Poet, that he scorned and hated human kind; and out of this feeling, or this pretension, grew his labours to corrupt it. It was not alone against things held sacred by society, that his spleen and venom were directed: he strove to render odious some of the best and purest men that have ever lived; and his attacks were not the momentary ebullitions of dislike, but the produce of deep and settled hatred,―the more bitter in proportion as the cause was small. To the various circumstances that are said to have warped his mind, we cannot here refer. We perform an imperative duty, in a work which must find its way among the young and enthusiastic, when The biographers of Lord Byron are almost as we warn the reader of his exquisite poetry, that numerous as his Works. The wonderful genius danger lurks under the leaves. The Poems of of the Poet procured for him an extent of popu- Byron will live, as he had a right to anticipate they larity unparalleled in his age; and the public would, "with his land's language." The amazing sought eagerly for every anecdote that could power he possessed of searching into and pourafford the smallest insight into his character. traying character,—his prodigious skill in versifiFew men could have borne so searching a test. cation,-his fine perception of the sublime and His biographers, without exception, have arrived beautiful in nature,-his graceful and unforced at conclusions prejudicial to his character; it is, wit,-his deep readings of human passion,-his therefore, impossible for an editor who would accurate knowledge of the secret movements of sum up their evidence, to recommend any other the human heart,-were so many keys to his verdict, than that which has been given. It is wonderful and universal success.

Lord Byron was, thus, a young man when he died. Personal descriptions of the Poet are abundant. In 1823, Lady Blessington was intimately acquainted with him at Genoa. According to her account, his appearance was highly prepossessing; his head," she says "is finely shaped, and the forehead open, high, and noble; his eyes are gray, and full of expression, but one is visibly larger than the other; his mouth is the most remarkable feature in his face,-the upper lip of Grecian shortness, and the corners descending; the lips full and finely cut; his chin is large and well shaped; his face is peculiarly pale." She adds that "although slightly lame, the deformity of his foot is but little remarkable."

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CHILDE HAROLD'S

Attract thy fairy fingers near the lyre

Of him who hail'd thee, loveliest as thou wast, Such is the most my memory may desire; Though more than hope can claim, could friendship less require?

PILGRIMAGE.

A ROMAUNT

TO IANTHE.

NoT in those climes where I have late been straying,

Tho' beauty long hath there been matchless deem'd,

Not in those visions to the heart displaying
Forms which it sighs but to have only dream'd,
Hath aught like thee, in truth or fancy seem'd:
Nor, having seen thee, shall I vainly seek
To paint those charms which varied as they
beam'd-

To such as see thee not my words were weak; To those who gaze on thee what language could they speak?

Ah! may'st thou ever be what now thou art, Nor unbeseem the promise of thy spring, As fair in form, as warm yet pure in heart, Love's image upon earth without his wing, And guileless beyond hope's imagining! And surely she who now so fondly rears Thy youth, in thee, thus hourly brightening, Beholds the rainbow of her future years, Before whose heavenly hues ali sorrow disappears.

Young Peri of the West!-'tis well for me
My years already doubly number thine;
My loveless eye unmoved may gaze on thee,
And safely view thy ripening beauties shine;
Happy, I ne'er shall see them in decline,
Happier, that while all younger hearts shall
bleed,

Mine shall escape the doom thine eyes assign
To those whose admiration shall succeed,
But mix'd with pangs to love's even loveliest
hours decreed.

Oh let that eye, which, wild as the gazelle's,
Now brightly bold or beautifully shy,
Wins as it wanders, dazzles where it dwells,
Glance o'er this page, nor to my verse deny
That smile for which my breast might vainly
sigh,

Could I to thee be ever more than friend:

This much, dear maid, accord; nor question

why

To one so young, my strain I would commend, But bid me with my wreath one matchless lily blend

Such is thy name with this my verse entwined;
And long as kinder eyes a look shall cast
On Harold's page, Ianthe's here enshrined
Shall thus be first beheld, forgotten last:
My days once number'd, should this homage

past

CANTO I.

I.

OH, thou! in Hellas deem'd of heavenly birth, Muse! form'd or fabled at the minstrel's will! Since shamed full oft by later lyres on earth, Mine dares not call thee from thy sacred hill: Yet there I've wander'd by thy vaunted rill; Yes! sigh'd o'er Delphi's long-deserted shrine, Where, save that feeble fountain, all is still; Nor mote my shell awake the weary Nine, To grace so plain a tale-this lowly lay of mine. II.

Whilome in Albion's isle there dwelt a youth, Who ne in virtue's ways did take delight; But spent his days in riot most uncouth, And vex'd with mirth the drowsy ear of night. Ah, me! in sooth he was a shameless wight, Sore given to revel and ungodly glee; Few earthly things found favour in his sight Save concubines and carnal companie, And flaunting wassailers of high and low degree. III.

Childe Harold was he hight :-but whence his

name

And lineage long, it suits me not to say; Suffice it, that perchance they were of fame, And had been glorious in another day: But one sad losel soils a name for aye, However mighty in the olden time; Nor all that heralds rake from coffin'd clay, Nor florid prose, nor honied lies of rhyme, Can blazon evil deeds, or consecrate a crime.

IV.

Childe Harold bask'd him in the noontide sun,
Disporting there like any other fly;
Nor deem'd before his little day was done,
One blast might chill him into misery.
But long ere scarce a third of his pass'd by,
Worse than adversity the Childe befell;
He felt the fulness of satiety :

Then loathed he in his native land to dwell, Which seem'd to him more lone than eremite's sad cell.

V.

For he through sin's long labyrinth had run,
Nor made atonement when he did amiss,
Had sigh'd to many, though he loved but one,
And that loved one, alas! could ne'er be his.
Ah, happy she! to 'scape from him whose
kiss

Had been pollution unto aught so chaste,
Who soon had left her charms for vulgar bliss,
And spoil'd her goodly lands to gilde his waste,
Nor calm domestic peace had ever deign'd to

taste.

E NW YORK MC LIBRARY

X

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