Or on the upland stile embower'd, Where, in the embower'd translucent stream, But, oh! when evening's virgin queen Shall echo from the neighbouring croft ; We will muse on pensive lore Till the full soul, brimming o'er, Of dimmest darkness-fitting well Her melancholy song, and scare The shadowy shapes elastic spring, Then, hermit, let us turn our feet To linger by the forest's side; Or in the meadow, or the wood, Or by the lone romantic flood; Let us in the busy town, When sleep's dull streams the people drown, And turn the church's massy key; And darkly on the trophied wall, If thou, mild sage, wilt condescend DESCRIPTION OF A SUMMER'S EVE. Down the sultry arc of day The burning wheels have urged their way, The barn is still, the master's gone, The horses are all bedded up, Now, on the settle all, but Bess, The pale-eyed moon is mounted high GEORGE GORDON BYRON. bonum, as at once unphilosophical and derogatory to the character of any man, who seeks to live "for aye, in Fame's eternal temple." Nil nisi verum, should be the motto of the dead. It may be ungracious to disobey the mandate, GEORGE GORDON BYRON was born in Holles time to discard the old superstition, Nil nisi street, London, on the 22d of January, 1788. He was the grandson of the celebrated Admiral, and succeeded his great uncle, William Lord Byron, in 1798. On his elevation to the peerage, he was removed from the care of his mother, and placed at Harrow by his guardian,-the Earl of Carlisle. In 1805, he was entered at Trinity College, Cambridge; and took up his permanent residence at Newstead Abbey, the family seat. In 1807, he published at Newark, his Hours of Idleness;" they were attacked with considerable bitterness in the "Edinburgh Review," and his memorable "Satire" followed. His various "Works" succeeded with wonderful rapidity. In 1815, he married the daughter of Sir Ralph Milbank Noel: a separation took place soon afterwards, and the Poet went abroad,-residing at Geneva, and in various cities of Italy. In August, 1823, he embarked in the cause of Greece; and died at Missolonghi, on the 19th of April, 1824. "Lift not thy spear against the Muse's bower," but the warning cannot have reference to the spear of Ithuriel. Truth is so precious, that it never costs too much. We protest at the outset of our labours against all reference to private character, and comment upon private life; but we must always except cases where they are mixed up with polished writings which influence, and are designed to influence, the universal mind. Many of the Poems of Lord Byron have a dangerous tendency; they are calculated to remove the hideous features of vice, and present it, if not in a tempting, at least in a natural and pardonable light. Whether it was a genuine sentiment, or a gross affectation, it matters not; but it was the frequent boast of the Poet, that he scorned and hated human kind; and out of this feeling, or this pretension, grew his labours to corrupt it. It was not alone against things held sacred by society, that his spleen and venom were directed: he strove to render odious some of the best and purest men that have ever lived; and his attacks were not the momentary ebullitions of dislike, but the produce of deep and settled hatred,―the more bitter in proportion as the cause was small. To the various circumstances that are said to have warped his mind, we cannot here refer. We perform an imperative duty, in a work which must find its way among the young and enthusiastic, when The biographers of Lord Byron are almost as we warn the reader of his exquisite poetry, that numerous as his Works. The wonderful genius danger lurks under the leaves. The Poems of of the Poet procured for him an extent of popu- Byron will live, as he had a right to anticipate they larity unparalleled in his age; and the public would, "with his land's language." The amazing sought eagerly for every anecdote that could power he possessed of searching into and pourafford the smallest insight into his character. traying character,—his prodigious skill in versifiFew men could have borne so searching a test. cation,-his fine perception of the sublime and His biographers, without exception, have arrived beautiful in nature,-his graceful and unforced at conclusions prejudicial to his character; it is, wit,-his deep readings of human passion,-his therefore, impossible for an editor who would accurate knowledge of the secret movements of sum up their evidence, to recommend any other the human heart,-were so many keys to his verdict, than that which has been given. It is wonderful and universal success. Lord Byron was, thus, a young man when he died. Personal descriptions of the Poet are abundant. In 1823, Lady Blessington was intimately acquainted with him at Genoa. According to her account, his appearance was highly prepossessing; his head," she says "is finely shaped, and the forehead open, high, and noble; his eyes are gray, and full of expression, but one is visibly larger than the other; his mouth is the most remarkable feature in his face,-the upper lip of Grecian shortness, and the corners descending; the lips full and finely cut; his chin is large and well shaped; his face is peculiarly pale." She adds that "although slightly lame, the deformity of his foot is but little remarkable." (175) CHILDE HAROLD'S Attract thy fairy fingers near the lyre Of him who hail'd thee, loveliest as thou wast, Such is the most my memory may desire; Though more than hope can claim, could friendship less require? PILGRIMAGE. A ROMAUNT TO IANTHE. NoT in those climes where I have late been straying, Tho' beauty long hath there been matchless deem'd, Not in those visions to the heart displaying To such as see thee not my words were weak; To those who gaze on thee what language could they speak? Ah! may'st thou ever be what now thou art, Nor unbeseem the promise of thy spring, As fair in form, as warm yet pure in heart, Love's image upon earth without his wing, And guileless beyond hope's imagining! And surely she who now so fondly rears Thy youth, in thee, thus hourly brightening, Beholds the rainbow of her future years, Before whose heavenly hues ali sorrow disappears. Young Peri of the West!-'tis well for me Mine shall escape the doom thine eyes assign Oh let that eye, which, wild as the gazelle's, Could I to thee be ever more than friend: This much, dear maid, accord; nor question why To one so young, my strain I would commend, But bid me with my wreath one matchless lily blend Such is thy name with this my verse entwined; past CANTO I. I. OH, thou! in Hellas deem'd of heavenly birth, Muse! form'd or fabled at the minstrel's will! Since shamed full oft by later lyres on earth, Mine dares not call thee from thy sacred hill: Yet there I've wander'd by thy vaunted rill; Yes! sigh'd o'er Delphi's long-deserted shrine, Where, save that feeble fountain, all is still; Nor mote my shell awake the weary Nine, To grace so plain a tale-this lowly lay of mine. II. Whilome in Albion's isle there dwelt a youth, Who ne in virtue's ways did take delight; But spent his days in riot most uncouth, And vex'd with mirth the drowsy ear of night. Ah, me! in sooth he was a shameless wight, Sore given to revel and ungodly glee; Few earthly things found favour in his sight Save concubines and carnal companie, And flaunting wassailers of high and low degree. III. Childe Harold was he hight :-but whence his name And lineage long, it suits me not to say; Suffice it, that perchance they were of fame, And had been glorious in another day: But one sad losel soils a name for aye, However mighty in the olden time; Nor all that heralds rake from coffin'd clay, Nor florid prose, nor honied lies of rhyme, Can blazon evil deeds, or consecrate a crime. IV. Childe Harold bask'd him in the noontide sun, Then loathed he in his native land to dwell, Which seem'd to him more lone than eremite's sad cell. V. For he through sin's long labyrinth had run, Had been pollution unto aught so chaste, taste. |