Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual MediaState University of New York Press, 1 лют. 2012 р. - 284 стор. What happens when Theodor Adorno, the champion of high, classical artists such as Beethoven, comes into contact with the music of Chuck Berry, the de facto king of rock 'n' roll? In a series of readings and meditations, Robert Miklitsch investigates the postmodern nexus between elite and popular culture as it occurs in the audiovisual fields of film, music, and television—ranging from Gershwin to gangsta rap, Tarantino to Tongues Untied, Tony Soprano to Buffy the Vampire Slayer, Miklitsch argues that the aim of critical theory in the new century will be to describe and explain these commodities in ever greater phenomenological detail without losing touch with those evaluative criteria that have historically sustained both Kulturkritik and classical aesthetics. |
Зміст
Critical Theory Popular CultureAudiovisual Media | 1 |
Cultural Studies Autobiographyand the Death of Rock | 25 |
Beethoven Chuck Berry and Popular Music in the Age of MP3 | 43 |
Audiovisuality and PostScreen Theory | 69 |
Audiovisual Pleasure and Narrative Cinema in Jackie Brown | 90 |
PoliticalLibidinal Structuresof Feeling in Melrose Place | 135 |
Sexuality Psychoanalysis andPostmodern Style in The Sopranos | 153 |
Інші видання - Показати все
Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media Robert Miklitsch Обмежений попередній перегляд - 2006 |
Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media Robert Miklitsch Попередній перегляд недоступний - 2006 |
Загальні терміни та фрази
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