His father was dead, but he idled away two years among his relations. He afterwards became tutor in the family of a gentleman in Ireland, where he remained a year. His uncle then gave him £50 to study the law in Dublin, but he lost the whole in a gaming house. A second contribution was raised, and the poet next proceeded to Edinburgh, where he continued a year and a-half studying medicine. He then drew upon his uncle for £20, and embarked for Bordeaux. The vessel was driven into Newcastle-upon-Tyne, and whilst there, Goldsmith and his fellow passengers were arrested and put into prison, where the poet was kept a fortnight. It appeared that his companions were Scotsmen, in the French service, and had been in Scotland enlisting soldiers for the French army. Having overcome this most innocent of all his misfortunes, he is represented as having immediately proceeded to Leyden; but this part of his biography has lately got a new turn from the inquiries of a gentleman whose book is quoted below,* according to which it would appear to have been now, instead of four years later, that Goldsmith acted as usher of Dr Milner's school at Peckham, in the neighbourhood of London. The tradition of the school is, that he was extremely good-natured and playful, and advanced his pupils more by conversation than by book-tasks. On the supposition of this being the true account of Goldsmith's 25th year, we may presume that he next went to Leyden, and there made the resolution to travel over the Continent in spite of all pecuniary deficiencies. He stopped some time at Louvain, in Flanders, at Antwerp, and at Brussels. In France, he is said, like George Primrose, in his Vicar of Wakefield, to have occasionally earned a night's lodging and food by playing on his flute. How often have I led thy sportive choir, Traveller. Scenes of this kind formed an appropriate school for the poet. He brooded with delight over these pictures of humble primitive happiness, and his imagination loved to invest them with the charms of poetry. Goldsmith afterwards visited Germany and the Rhine. From Switzerland he sent the first sketch of the 'Traveller' to his brother. The loftier charms of nature in these Alpine scenes seems to have had no permanent effect on the character or direction of his genius. He visited Florence, Verona, Venice, and stopped at Padua some months, where he is supposed to have taken his medical degree. In 1756 the poet reached England, after two years of wandering, lonely, and in poverty, yet buoyed up by dreams of hope and fame. Many a hard struggle he had yet to encounter! His biographers represent him as now becoming usher at Dr Milner's school, a portion of his history which we have seen reason to place at an earlier period. However this may be, he is soon after found contributing to the Monthly Review. He was also some time assistant to a chemist. A college friend, Dr Sleigh, enabled him to commence practice as a humble physician in Bankside, Southwark; but his chief support arose from contributions to the periodical literature * Collections Illustrative of the Geology, History, Antiquities, and Associations of Camberwell. By Douglas Allport. Camberwell: 1841. of the day. In 1758 he presented himself at Surgeons Hall for examination as an hospital mate, with the view of entering the army or navy but he had the mortification of being rejected as unqualified. That he might appear before the examining surgeon suitably dressed, Goldsmith obtained a new suit of clothes, for which Griffiths, publisher of the Monthly Review, became security. The clothes were immediately to be returned when the purpose was served, or the debt was to be discharged. Poor Goldsmith, having failed in his object, and probably distressed by urgent want, pawned the clothes. The publisher threatened, and the poet replied-'I know of no misery but a gaol, to which my own imprudences and your letter seem to point. I have seen it inevitable these three or four weeks, and, by heavens ! request it as a favour as a favour that may prevent somewhat more fatal. I have been some years struggling with a wretched being-with all that contempt and indigence brings with it-with all those strong passions which make contempt insupportable. What, then, has a gaol that is formidable?' Such was the almost hopeless condition, the deep despair, of this imprudent but amiable author, who has added to the delight of millions, and to the glory of English literature. Henceforward the life of Goldsmith was that of a man of letters. He lived solely by his pen. Besides numerous contributions to the Monthly and Critical Reviews, the Lady's Magazine, the British Magazine, &c., he published an Inquiry into the Present State of Polite Learning in Europe (1759), his admirable Chinese Letters, afterwards published with the title of The Citizen of the World, a Life of Beau Nash, and the History of England in a series of letters from a nobleman to his son. The latter was highly successful, and was popularly attributed to Lord Chesterfield. In December 1764 appeared his poem of The Traveller, the chief corner-stone of his fame, 'without one bad line,' as has been said; without one of Dryden's careless verses.' Charles Fox pronounced it one of the finest poems in the English language; and Dr Johnson (then numbered among Goldsmith's friends) said that the merit of The Traveller' was so well established, that Mr Fox's praise could not augment it, nor his censure diminish it. The periodical critics were unanimous in its praise. In 1766 he published his exquisite novel, The Vicar of Wakefield, which had been written two years before, and sold to Newberry the bookseller, to discharge a pressing debt. His comedy of The Good-Natured Man was produced in 1767, his Roman History next year, and The Deserted Village in 1770. The latter was as popular as 'The Traveller,' and speedily ran through a number of editions. In 1773, Goldsmith's comedy, She Stoops to Conquer, was brought out at Covent Garden theatre with immense applause. He was now at the summit of his fame and popularity. The march had been long and toilsome, and he was often nearly fainting by the way; but his success was at length complete. His name stood among the foremost of his contemporaries; his works brought him in from £1000 to £1800 per annum. Difficulty and distress, however, still clung to him: poetry had found him poor at first, and she kept him so. From heedless profusion and extravagance, chiefly in dress, and from a benevolence which knew no limit while his funds lasted, Goldsmith was scarcely ever free from debt. The gaming table also presented irresistible attractions. He hung loosely on society, without wife or domestic tie; and his early habits and experience were ill calculated to teach him strict conscientiousness or regularity. He continued to write task-work for the booksellers, and produced a History of England' in four volumes. This was succeeded by a History of Greece' in two volumes, for which he was paid £250. He had contracted to write a History of Animated Nature' in eight volumes, at the rate of a hundred guineas for each volume; but this work he did not live to complete, though the greater part was finished in his own attractive and easy manner. In March 1774, he was attacked by a painful complaint (dysuria)| caused by close study, which was succeeded by a nervous fever. Contrary to the advice of his apothecary, he persisted in the use of James's powders, a medicine to which he had often had recourse; and gradually getting worse, he expired in strong convulsions on the 4th of April. The death of so popular an author, at the age of forty-five, was a shock equally to his friends and the public. The former knew his sterling worth, and loved him with all his foibles-his undisguised vanity, his national proneness to blundering, his thoughtless extravagance, his credulity, and his frequent absurdities. Under these ran a current of generous benevolence, of enlightened zeal for the happiness and improvement of mankind, and of manly independent feeling. He died £2000 in debt: Was ever poet so trusted before!' exclaimed Johnson. His remains were interred in the Temple burying ground, and a monument erected to his memory in Westminster Abbey, next the grave of Gay, whom he somewhat resembled in character, and far surpassed in genius. The plan of The Traveller' is simple, yet comprehensive and philosophical. The poet represents himself as sitting among Alpine solitudes, looking down on a hundred realms Lakes, forests, cities, plains extending wide, The pomp of kings, the shepherd's humbler pride. He views the whole with delight, yet sighs to think that the hoard of human bliss is so small, and he wishes to find some spot consigned to real happiness, where his worn soul' Might gather bliss to see his fellows blessed. But where is such a spot to be found? The natives of each country think their own the best-the pa triot boasts His first, best country, ever is at home. If nations are compared, the amount of happiness in Stern o'er each bosom reason holds her state, Pride in their port, defiance in their eye, I see the lords of human kind pass by; Intent on high designs, a thoughtful band, By forms unfashioned, fresh from nature's hand. While even the peasant boasts these rights to scan, heightening the effect of his pictures. In the following quotation, the rich scenery of Italy, and the effeminate character of its population, are placed in striking juxtaposition with the rugged mountains of Switzerland and their hardy natives. [Italians and Swiss Contrasted.] Far to the right, where Apennine ascends, Could nature's bounty satisfy the breast, But small the bliss that sense alone bestows, Yet, still the loss of wealth is here supplied My soul turn from them, turn we to survey Goldsmith was a master of the art of contrast in But winter lingering chills the lap of May; |