Music in Shakespearean TragedyPsychology Press, 2005 - 334 стор. First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure. |
Зміст
TRADITION OF VOCAL AND INSTRUMENTAL | 1 |
CHAPTER II | 8 |
THE WILLOW SONG | 23 |
OPHELIAS SONGS | 53 |
Bonny sweet Robin refrain | 70 |
MAGIC SONGS | 79 |
CHAPTER IV | 80 |
Take o take those lips away harmonized | 95 |
BLANK VERSE PROSE AND SONGS IN KING | 158 |
Dallis Book | 163 |
Then they for sudden joy did weep | 174 |
Come oer the burn Bessy | 181 |
Come oer the burn Bessy | 187 |
No 4 | 250 |
RETROSPECT OF SCHOLARSHIP ON SHAKE | 258 |
CHAPTER III | 263 |
ADULT SONGS AND ROBERT ARMIN | 98 |
CHAPTER V | 103 |
Lodge Book | 109 |
When griping grief the heart doth wound | 120 |
ADULT SONGS FROM HAMLET TO OTHELLO | 126 |
CHAPTER VI | 146 |
I loathe that I did love | 152 |
I loathe | 154 |
I loathe 153 | 267 |
274 | |
a As ye came from the holy land | 301 |
304 | |
310 | |
316 | |