 The ideal is not the preference of that which exists only in the mind to that which exists in nature ; but the preference of that which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and,...  Gleanings in the Fields of Art - Сторінка 23автори: Ednah Dow Cheney - 1880 - 345 стор.Повний перегляд - Докладніше про цю книгу
 | William Hazlitt - 1836 - 486 стор.
...true art. In a word these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so/ There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from... | |
 | William Hazlitt - 1836 - 372 стор.
...true art. In a word these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from... | |
 | William Hazlitt - 1836 - 488 стор.
...true art. In a word these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from... | |
 | William Hazlitt - 1836 - 1000 стор.
...true art. In a word these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...nature ; but the preference of that which is fine iu nature to that which is less so. There is nothing fine in art but what is taken almost immediately,... | |
 | Benjamin Robert Haydon - 1838 - 244 стор.
...true art. In a word, these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and as it were, in the mass, from... | |
 | Benjamin Robert Haydon, William Hazlitt - 1838 - 244 стор.
...true art. In a word, these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists only in the mind to that which^ exists in naturej_but the:. preference of_.that which is fine_ in nature to that which is le,ss so. There is... | |
 | William Hazlitt - 1843 - 450 стор.
...true art. In a word, these invuluuble remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from... | |
 | George Cleghorn (writer on art.) - 1848 - 366 стор.
...by himself in the succeeding sentence : — " The ideal is not the preference of that which exists in the mind to that which exists in nature, but the...which is fine in nature to that which is less so." The first clause of this sentence is partly true, and partly false ; the second admits at once the... | |
 | George Cleghorn - 1848 - 368 стор.
...by himself in the succeeding sentence : — " The ideal is not the preference of that which exists in the mind to that which exists in nature, but the...which is fine in nature to that which is less so." The first clause of this sentence is partly true, and partly false ; the second admits at once the... | |
 | William Hazlitt - 1856 - 446 стор.
...true art In a word, these invaluable remains of antiquity are precisely like casts taken from life. The ideal is not the preference of that which exists...which is fine in nature to that which is less so. There is nothing fine in art but what is taken almost immediately, and, as it were, in the mass, from... | |
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