 | 1921 - 558 стор.
...air." Bending over them, Giovanni kisses them on the foreheads and in a shaken voice concludes : — "She takes away my strength. I did not know the dead...Hide them. They look like children fast asleep." The final scene is not unlike that of a Greek tragedy, "all passion spent". D'Annunzio's play, Francesca... | |
 | 1900 - 366 стор.
...bends over the bodies and kisses them on the forehead. He is shaken.) Luc. What ails you now ? Gio. She takes away my strength. I did not know the dead...asleep ! (The bodies are reverently covered over.) EK PEACOCK. BOOK REVIEWS. Tkt Pkilaupkical Tktory uf tki SUU. Blr BERNARD BOSANUU«T. London Macmillao... | |
 | Stephen Phillips - 1899 - 138 стор.
...bends over the bodies and kisses them on the forehead. He is shaken.~} Luc. What ails you now ? Gio. She takes away my strength, I did not know the dead...asleep ! [ The bodies are reverently covered over.~] CURTAIN A TRAGEDY IN THREE ACTS By STEPHEN PHILLIPS TWENTY-FIRST THOUSAND. I2mo. 43. 6d. net. GREEN... | |
 | Stephen Phillips - 1900 - 134 стор.
...bends over the bodies and kisses them on the forehead. He is shaken. .] Luc. What ails you now ? Gio. She takes away my strength,. I did not know the dead...asleep ! [ The bodies are reverently covered over."] CURTAIN. A TRAGEDY IN FOUR ACTS. BY STEPHEN PHILLIPS. Crown Svo, gilt top, $1.2$. " Nothing finer has... | |
 | J. Gordon Mowat, John Alexander Cooper, Newton MacTavish - 1900 - 612 стор.
...bends over the bodies and kisses them on the forehead. He is shaken.) Luc. What ails you now ? Gio. She takes away my strength. I did not know the dead...hair. Hide them. They look like children fast asleep 1 '5° AT THE GUARDHOUSE.* A BARRACK-ROOM LOVE STORY. By PY Black. I. THE girl looked up at the sky... | |
 | 1900 - 614 стор.
...falling o'er your eyebrow—bind it up." A last master stroke lies in his broken speech over the bier: " She takes away my strength. I did not know the dead could have such hair." These are but few of the many striking effects which make this drama. It is heavy-laden with them.... | |
 | Alfred Ainger - 1905 - 352 стор.
...lovers, pronounced by the injured husband and brother as he gazes upon his two newly-slain victims — I did not know the dead could have such hair Hide them. They look like children fast asleep ! was in all probability suggested by the famous cry of Ferdinand, in The Duchess of Malfi, when his... | |
 | Alfred Ainger - 1905 - 362 стор.
...lovers, pronounced by the injured husband and brother as he gazes upon his two newly-slain victims — I did not know the dead could have such hair Hide them. They look like children fast asleep ! was in all probability suggested by the famous cry of Ferdinand, in The Duchess of Malfi, when his... | |
 | 1900 - 1162 стор.
...I kiss them on the forehead quietly. (Be in' mix over the oodies, and kisses them on the foreltead. He is shaken.) Lucr. What ails you now? Giov. She...harmonious, to which the whole stream of the action tends. Climb Upward on Thy Prayers, The analysis we have given is designed to show how everything Is subordinated... | |
 | 1908 - 812 стор.
...one bier, and Giovanni, shaken with deep emotion, kisses each of them upon the forehead, murmuring, "She takes away my strength. I did not know the dead...Hide them! They look like children fast asleep.'' Admiration for Stephen Phillips' "Paolo and Francesca" need not imply blindness to its faults. Indeed,... | |
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Not easily have we three come to this, We three who now are dead. Unwillingly They loved, unwillingly I slew them. Now I kiss them on the forehead quietly. 
