Victorian Poets, Том 1J.R. Osgood, 1875 - 441 стор. |
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Сторінка 11
... Italian period from which it drew its forms . There was a certain largeness of mechanical achievement , and a mass of theological inquiry , in the time of Dante , Boccaccio , and Petrarch , and in that of Tasso and Ariosto , but all ...
... Italian period from which it drew its forms . There was a certain largeness of mechanical achievement , and a mass of theological inquiry , in the time of Dante , Boccaccio , and Petrarch , and in that of Tasso and Ariosto , but all ...
Сторінка 51
... Italy , and Greece at their renowned and character- istic periods : the greenwood and castle - halls of Eng- land , the villas and cloisters of Italy , the sky and marbles of ancient Greece ; the pedantry and poetry of the first , the ...
... Italy , and Greece at their renowned and character- istic periods : the greenwood and castle - halls of Eng- land , the villas and cloisters of Italy , the sky and marbles of ancient Greece ; the pedantry and poetry of the first , the ...
Сторінка 70
... Italian , a dialogue entitled Savonarola e il Priore di San Marco . It appeared in 1860 , but was speedily suppressed through Church influence , and the edition remained on his hands in sheets . The author's old prejudice against Plato ...
... Italian , a dialogue entitled Savonarola e il Priore di San Marco . It appeared in 1860 , but was speedily suppressed through Church influence , and the edition remained on his hands in sheets . The author's old prejudice against Plato ...
Сторінка 71
... Italy and unselfish reverence at the feet of the incomparable artist , the unconquerable freeman , to whom he " Came as one whose thoughts half linger , Half run before ; The youngest to the oldest singer That England bore . " To some ...
... Italy and unselfish reverence at the feet of the incomparable artist , the unconquerable freeman , to whom he " Came as one whose thoughts half linger , Half run before ; The youngest to the oldest singer That England bore . " To some ...
Сторінка 106
... Italian source which , since the days of Chaucer , has been a fountain - spring of romance for the poet's use . His " Sicilian Story " is an inferior study upon the theme of Keats's " Isabella " ; and some of his other themes from ...
... Italian source which , since the days of Chaucer , has been a fountain - spring of romance for the poet's use . His " Sicilian Story " is an inferior study upon the theme of Keats's " Isabella " ; and some of his other themes from ...
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admirable Alfred Tennyson antique Arnold artist Aspasia Atalanta Aurora Leigh ballads Barry Cornwall beauty blank-verse Browning Browning's Byron career Chartist classical composed composition creative critical death diction dramatic early effect emotion English epic essays excellence expression faculty feeling genius gift Greek Guinevere heart heroic Hood Hood's ideal idyllic imagination influence inspiration intellectual Keats Lady of Shalott Landor language later Laureate Laureate's Leigh Hunt less literary literature manner master mediæval melody method metrical modern Morris nature never Paracelsus passages passion Pericles period pieces Pippa Passes poem poet poet's poetic poetry Pre-Raphaelite Procter production prose recent rhythm romance Rossetti Scholar Gipsy seems sentiment Shelley singer song sonnets Sordello soul spirit strength style sweet Swinburne Swinburne's taste Tennyson theme Theocr Theocritus things thou thought tion tive true verse Victorian voice volume Wordsworth write youth
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Сторінка 194 - The remotest discoveries of the chemist, the botanist, or mineralogist, will be as proper objects of the poet's art as any upon which it can be employed, if the time should ever come when these things shall be familiar to us, and the relations under which they are contemplated by the followers of these respective sciences shall be manifestly and palpably material to us as enjoying and suffering beings.
Сторінка 328 - Hark! where my blossomed pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops — at the bent spray's edge That's the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture!
Сторінка 94 - Brimming, and bright, and large ; then sands begin To hem his watery march, and dam his streams, And split his currents; that for many a league The shorn and...
Сторінка 260 - I knew a very wise man so much of Sir Chr — 's sentiment, that he believed if a man were permitted to make all the ballads, he need not care who should make the laws of a nation.
Сторінка 333 - There, in turn I stand with them and praise you— Out of my own self, I dare to phrase it. But the best is when I glide from out them, Cross a step or two of dubious twilight, Come out on the other side, the novel Silent silver lights and darks undreamed of, Where I hush and bless myself with silence.
Сторінка 110 - THE SEA. The Sea ! the Sea ! the open Sea ! The blue, the fresh, the ever free ! Without a mark, without a bound, It runneth the earth's wide regions 'round ; It plays with the clouds ; it mocks the skies ; Or like a cradled creature lies.
Сторінка 329 - Hobbs hints blue, — straight he turtle eats : Nobbs prints blue, — claret crowns his cup : Nokes outdares Stokes in azure feats, — Both gorge. Who fished the murex up ? What porridge had John Keats...
Сторінка 110 - I love (oh! how I love) to ride On the fierce, foaming, bursting tide, When every mad wave drowns the moon, Or whistles aloft his tempest tune, And tells how goeth the world below, And why the south-west blasts do blow. I never was on the dull, tame shore, But I loved the great Sea more and more...
Сторінка 215 - We will return no more ;' And all at once they sang, ' Our island home Is far beyond the wave; we will no longer roam.
Сторінка 387 - When the hounds of spring are on winter's traces, The mother of months in meadow or plain Fills the shadows and windy places With lisp of leaves and ripple of rain ; And the brown bright nightingale amorous Is half assuaged for Itylus, For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.