 | 1839 - 580 стор.
...grasping their*hand in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that she converses to her blind playmates, and nothing can more forcibly show the power of mind in forcing matter to its... | |
 | Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge - 1841 - 740 стор.
...hers, and following every movement i their fingers, as letter after letter conveys their meaning to ht mind. It is in this way that she converses with her blind plaj mates ; and nothing can more forcibly show the power of min in forcing matter to its purpose,... | |
 | 1842 - 92 стор.
...their hands in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...paint their thoughts and feelings by the movements of the body, and the expression of the countenance, how much greater the difficulty when darkness shrouds... | |
 | J. Fletcher - 1843 - 472 стор.
...their hands in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...paint their thoughts and feelings by the movements of the body, and the expression of the countenance, how much greater the difficulty when darkness shrouds... | |
 | S. Warrand - 1842 - 590 стор.
...following every movement of their fingers, as letter after letter conveys their meaning to her mind. Ft is in this way that she converses with her blind playmates,...paint their thoughts and feelings by the movements of the body, and the expression of the countenance, how much greater the difficulty when darkness shrouds... | |
 | Charles Dickens - 1842 - 340 стор.
...hands in hers, and following every movement of their fingers, as letter after letter conveys iheir meaning to her mind. It is in this way that she converses...skill are necessary for two pantomimes to paint their thougths and feelings by the movements of the body, and the expression of the countenance, how much... | |
 | 1842 - 590 стор.
...their hands in hers, and following . everv movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...meeting between them. For if great talent and skill are nec^ssary for two pantomimes to paint their thoughts and feelings by the movements of the body, and... | |
 | Charles Dickens - 1842 - 646 стор.
...their hands in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...she converses with her blind playmates , and nothing cau more forcibly show the power of mind in forcing matter to its purpose , than a meeting between... | |
 | William Chambers, Robert Chambers - 1845 - 846 стор.
...their hands in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...forcibly show the power of mind in forcing matter to jts purpose than a meeting between them ; for if great talent and skill are necessary for two pantomimes... | |
 | Benjamin B. Bowen - 1847 - 450 стор.
...their hands in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that...paint their thoughts and feelings by the movements of the body, and the expression of the countenance, how much greater the difficulty when darkness shrouds... | |
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... in hers, and following every movement of their fingers, as letter after letter conveys their meaning to her mind. It is in this way that she converses with her blind playmates, and nothing can more forcibly show the power of mind in forcing matter... 
