Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations
Cambridge University Press, 1994 - 475 стор.
An original study of the history of modern Indian art, this book tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernization of the elite, and traces the artistic evolution from unquestioning westernization to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Partha Mitter's work balances the study of colonial cultural institutions with the ideologies of the nationalist and intellectual movements that followed.
Відгуки відвідувачів - Написати рецензію
Не знайдено жодних рецензій.
Art education and Rajpatronage
Salon artists and the rise of the Indian public
The power of the printed image
Bengali patriots and art for the nation
How the past was salvaged by swadeshi artists
Abanindranath Tagore academic art Ajanta ancient architecture art school artisans Asit Haldar Bagal Balendranath Baroda Basantak beauty Bengal Renaissance Bengal School bhadralok Bhārater Bhārati bhāva Birdwood Bombay Art Society British Calcutta Calcutta Art Studio cartoons century Chughtai Classical colonial colours Coomaraswamy critics cultural decorative Delhi Dhurandhar dranath drawing early English European art exhibition figure Gangoly Ghosh Griffiths Gupta Havell Havell's Hindu ideal Indian art Indian artists Indian Charivari Indian painting inspired Jamini Japanese Kalighat Krsna Lakshman Sen literary London Madras magazine Mhatre miniatures Modern Review movement Mughal Museum Muslim Nandalal Bose nationalist naturalism Nivedita Okakura oriental art orientalists painter picture political portrait Prabási prints Rabindranath Raja Ravi Varma Renaissance revival Rothenstein salon Samajpati Sarkar sculpture Shah Jahan Shilpa Simla sketches spiritual style suadeshi Sukumar Sukumar Ray Taikan taste Temple traditional Victorian watercolour West western art westernisation
Beyond Appearances?: Visual Practices and Ideologies in Modern India
Перегляд фрагмента - 2003
Усі результати пошуку книг »
Performative Politics and the Cultures of Hinduism: Public Uses of Religion ...
Обмежений попередній перегляд - 2003