The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... stylistic level the falling-off from reason so evident in the action. But it does not seem to be commonly appreciated that the historical significance of this extreme contrast is the same as that of the more general alternation between ...
... stylistic level the falling-off from reason so evident in the action. But it does not seem to be commonly appreciated that the historical significance of this extreme contrast is the same as that of the more general alternation between ...
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... stylistic implication of this difference in the tone or speed of enunciation is that we must accept the alternations between prose and verse as being not accidental but deliberate on the part of the author, and with a definite aesthetic ...
... stylistic implication of this difference in the tone or speed of enunciation is that we must accept the alternations between prose and verse as being not accidental but deliberate on the part of the author, and with a definite aesthetic ...
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... stylistic practice which is as old as prose itself, for in fifth-century Greece Thrasymachus introduced period and 'colon' as well as rhythm, while the orator Gorgias made the decisive step of applying to prose many of the rhetorical ...
... stylistic practice which is as old as prose itself, for in fifth-century Greece Thrasymachus introduced period and 'colon' as well as rhythm, while the orator Gorgias made the decisive step of applying to prose many of the rhetorical ...
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... stylistic mimesis of that form of humour in which man is made to seem mechanical. The solos in The Two Gentlemen also catalogue ludicrous human actions. Thus Speed performs the ritual deflation of Romance with the figures anaphora ...
... stylistic mimesis of that form of humour in which man is made to seem mechanical. The solos in The Two Gentlemen also catalogue ludicrous human actions. Thus Speed performs the ritual deflation of Romance with the figures anaphora ...
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Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Загальні терміни та фрази
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty