The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... repartee is the main source of humour, with few prose images – even the ludicrous description of the decrepit condition of Petruchio and his horse in III, ii is managed entirely in direct statement. But in I, ii we meet the first of ...
... repartee is the main source of humour, with few prose images – even the ludicrous description of the decrepit condition of Petruchio and his horse in III, ii is managed entirely in direct statement. But in I, ii we meet the first of ...
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... repartee, the 'wit combat' of which Shakespeare never tired; equivocation and comic logic; faults in speech, such as malapropism, confusion, repetition and digression; and various individualizing linguistic abnormalities: catch-phrases ...
... repartee, the 'wit combat' of which Shakespeare never tired; equivocation and comic logic; faults in speech, such as malapropism, confusion, repetition and digression; and various individualizing linguistic abnormalities: catch-phrases ...
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... repartee is seen at its simplest, in that one character is The Comic and the other The Stooge: so we know that one half of the team is always going to win, as we never do with Falstaff and his opponents, or with Beatrice and Benedick ...
... repartee is seen at its simplest, in that one character is The Comic and the other The Stooge: so we know that one half of the team is always going to win, as we never do with Falstaff and his opponents, or with Beatrice and Benedick ...
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... repartee. So Valentine outwits the butt Thurio for the delight of his love Silvia, and Shakespeare – always conscious of what is being shown – gives her yet another naturalistic comment on the fluency of the people on stage (perhaps ...
... repartee. So Valentine outwits the butt Thurio for the delight of his love Silvia, and Shakespeare – always conscious of what is being shown – gives her yet another naturalistic comment on the fluency of the people on stage (perhaps ...
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Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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