The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... fool when I found you' Orlando: 'He is drown'd in the brook. Look but in and you shall see him' (As You Like It III, ii). Needless to say the figures of rhetoric are used in much wider contexts than this, and were meant to be used ...
... fool when I found you' Orlando: 'He is drown'd in the brook. Look but in and you shall see him' (As You Like It III, ii). Needless to say the figures of rhetoric are used in much wider contexts than this, and were meant to be used ...
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... fool, he shall never wake till the judgment day. FIRST. Why then he'll say we stabbed him sleeping. There the wit shows their indifference, which is as haphazard as their concern. Not surprisingly these humorous linguistic devices are ...
... fool, he shall never wake till the judgment day. FIRST. Why then he'll say we stabbed him sleeping. There the wit shows their indifference, which is as haphazard as their concern. Not surprisingly these humorous linguistic devices are ...
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Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Загальні терміни та фрази
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty