The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Feeling in Shakespeare's Sonnets', in Shakespeare Today, ed. K. Elam (Florence 1984); and 'Rites of Passage in Shakespeare's Prose' in Shakespeare Jahrbuch (1986), reprinted in my own collection of essays, Returning to Shakespeare ...
... Feeling in Shakespeare's Sonnets', in Shakespeare Today, ed. K. Elam (Florence 1984); and 'Rites of Passage in Shakespeare's Prose' in Shakespeare Jahrbuch (1986), reprinted in my own collection of essays, Returning to Shakespeare ...
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... feelings, and the confrontation of varying emotional states: all these elements of a play go beyond its language. But nevertheless (and it is the constant paradox of a literary work) these larger elements are only created and ...
... feelings, and the confrontation of varying emotional states: all these elements of a play go beyond its language. But nevertheless (and it is the constant paradox of a literary work) these larger elements are only created and ...
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... the concentrated state of affairs; the purposeful, momentous, and tragic action; truth, dignity, order; the poetic word; the universally applicable generalization; the official, solemn occasion; passionate and demoniacal feelings. To.
... the concentrated state of affairs; the purposeful, momentous, and tragic action; truth, dignity, order; the poetic word; the universally applicable generalization; the official, solemn occasion; passionate and demoniacal feelings. To.
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Brian Vickers. generalization; the official, solemn occasion; passionate and demoniacal feelings. To prose, on the other hand, is given the world of sober realism and robust comedy; witty entertainment; playful diversion; delay ...
Brian Vickers. generalization; the official, solemn occasion; passionate and demoniacal feelings. To prose, on the other hand, is given the world of sober realism and robust comedy; witty entertainment; playful diversion; delay ...
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... feeling for their shape on a small scale. These recurrent devices in Shakespeare are essentially humorous, and besides their immediate function of wit are used for simple but effective characterization, when an individual's private tics ...
... feeling for their shape on a small scale. These recurrent devices in Shakespeare are essentially humorous, and besides their immediate function of wit are used for simple but effective characterization, when an individual's private tics ...
Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Загальні терміни та фрази
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