The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
З цієї книги
Результати 1-5 із 41
Сторінка
... expression in that it employs living actors to tell its story; its other aspects – setting, characters, dialogue, action and theme – it shares with others forms of communication. But the fact that the dramatist is not dealing with ...
... expression in that it employs living actors to tell its story; its other aspects – setting, characters, dialogue, action and theme – it shares with others forms of communication. But the fact that the dramatist is not dealing with ...
Сторінка
... expression of the particular attitudes of quite distinct characters in equally distinct dramatic situations. The nature of Shakespeare's language is organically related to the development of each play. Within the plays as a whole ...
... expression of the particular attitudes of quite distinct characters in equally distinct dramatic situations. The nature of Shakespeare's language is organically related to the development of each play. Within the plays as a whole ...
Сторінка
... left of the surrounding framework of The Taming of a Shrew. In the first scene the dispute between Christopher Sly and the Hostess is expressed in appropriately vigorous prose: Y'are a baggage, the Slys are no rogues. Look in.
... left of the surrounding framework of The Taming of a Shrew. In the first scene the dispute between Christopher Sly and the Hostess is expressed in appropriately vigorous prose: Y'are a baggage, the Slys are no rogues. Look in.
Сторінка
... expression which is put in a context where it applies literally: so he says of Crab that he 'has no more pity in him than a dog' (II, iii, 9), and again: 'I have taught him, even as one would say precisely thus I would teach a dog' (IV ...
... expression which is put in a context where it applies literally: so he says of Crab that he 'has no more pity in him than a dog' (II, iii, 9), and again: 'I have taught him, even as one would say precisely thus I would teach a dog' (IV ...
Сторінка
... expression of personality). Thus Dromio of Syracuse hints: 'I durst have denied that, before you were so choleric,' to which his master provides the necessary responses: 'By what rule, Sir?' and again to the witty description of the ...
... expression of personality). Thus Dromio of Syracuse hints: 'I durst have denied that, before you were so choleric,' to which his master provides the necessary responses: 'By what rule, Sir?' and again to the witty description of the ...
Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
Інші видання - Показати все
Загальні терміни та фрази
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty