The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... detail of his language to consider such things as the whole meaningful development of an action, the adaptation of sources to make structures in every way superior to the original, the creation of characters, the representation and ...
... detail of his language to consider such things as the whole meaningful development of an action, the adaptation of sources to make structures in every way superior to the original, the creation of characters, the representation and ...
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... detail for this deduction comes from Marston's Malcontent, where Milton Crane notes that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own ...
... detail for this deduction comes from Marston's Malcontent, where Milton Crane notes that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own ...
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... detail of each play, then it is necessary to formulate a critical method for analysis. We must break down our experience of the play and its prose into elements which can be more closely studied. This process of analysing the ...
... detail of each play, then it is necessary to formulate a critical method for analysis. We must break down our experience of the play and its prose into elements which can be more closely studied. This process of analysing the ...
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... are some marks of logical processes ('your reason was not substantial', II, ii, 103–6; 'To conclude', III, ii, 137) and of punning using equivocation (II, i, 44–54, IV, iii, 20–30), but the detail most suggestive of future.
... are some marks of logical processes ('your reason was not substantial', II, ii, 103–6; 'To conclude', III, ii, 137) and of punning using equivocation (II, i, 44–54, IV, iii, 20–30), but the detail most suggestive of future.
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Brian Vickers. IV, iii, 20–30), but the detail most suggestive of future development is the Dromio's syllogism to prove the courtezan a devil: Nay, she is worse, she is the devil's dam. And here she comes in the habit of a light wench ...
Brian Vickers. IV, iii, 20–30), but the detail most suggestive of future development is the Dromio's syllogism to prove the courtezan a devil: Nay, she is worse, she is the devil's dam. And here she comes in the habit of a light wench ...
Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Загальні терміни та фрази
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