The Artistry of Shakespeare's ProseRoutledge, 13 вер. 2013 р. - 464 стор. First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Criticism (Oxford University Press '1999' for 2000). All three deal with Shakespeare incidentally, and I published some more detailed essays on related topics: 'Shakespeare's Use of Rhetoric', in A New Companion to Shakespeare Studies ...
... Criticism (Oxford University Press '1999' for 2000). All three deal with Shakespeare incidentally, and I published some more detailed essays on related topics: 'Shakespeare's Use of Rhetoric', in A New Companion to Shakespeare Studies ...
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... critics (and I refer to the work of Wilson Knight, L. C. Knights, D. A. Traversi, J. F. Danby and a host of followers) approached plays as if they were lyric poems, abstracting 'themes' and 'symbols' from the whole complex development ...
... critics (and I refer to the work of Wilson Knight, L. C. Knights, D. A. Traversi, J. F. Danby and a host of followers) approached plays as if they were lyric poems, abstracting 'themes' and 'symbols' from the whole complex development ...
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... critics must be more careful than they have been so far about how they extract their 'themes'. I am not suggesting that Shakespeare's comments are not sometimes so frequent or so important that they amount to a thematic status, nor that ...
... critics must be more careful than they have been so far about how they extract their 'themes'. I am not suggesting that Shakespeare's comments are not sometimes so frequent or so important that they amount to a thematic status, nor that ...
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... critic must consider the physical representation of the drama – such things as visual imagery, significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as ...
... critic must consider the physical representation of the drama – such things as visual imagery, significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as ...
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... critics hesitate to even suggest that Shakespeare was a deliberate artist: R. A. Foakes, for instance, after a useful discussion of the complex functions of Shakespeare's imagery, recoils from any hint that Shakespeare could ever have ...
... critics hesitate to even suggest that Shakespeare was a deliberate artist: R. A. Foakes, for instance, after a useful discussion of the complex functions of Shakespeare's imagery, recoils from any hint that Shakespeare could ever have ...
Зміст
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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