Shakespeare in the Romanian Cultural MemoryFairleigh Dickinson Univ Press, 2006 - 272 стор. This book, with a foreword by Arthur F. Kinney, covers the majorissues of the stage history and translation in the negotiation betweenRomanian culture and Shakespeare, raising questions about what aShakespeare play becomes when incorporated in a different andallegedly liminal culture. The study reflects the growingcross-fertilization of approaching Shakespeare in Romaniantranslations, productions, literary adaptations, and criticism, looking atthe way in which Romania's collective cultural memory is constructed, re-examined, and embedded in the adoption of Shakespeare in certainperiods. While it posits the problematics in the historical developmentof Shakespeare's presence in Romanian culture, the study gives adetailed history of the translations and productions of the plays, focusing on the most significant aspects of their literary, social, andpolitical appropriation over the past two centurie |
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Результати 1-5 із 51
Сторінка 11
... the potential meanings of Shakespeare and the political uses and social purposes to which his plays have been put in our time . In the cur- rent critical climate , where cultural forces and performance theory 11 Foreword.
... the potential meanings of Shakespeare and the political uses and social purposes to which his plays have been put in our time . In the cur- rent critical climate , where cultural forces and performance theory 11 Foreword.
Сторінка 24
... meanings , Romanian directors focused on staging the histories as effective cultural conjunctions between nations . Directors in the nineties saw the international language of the theater and politics as a convenient form of emerging ...
... meanings , Romanian directors focused on staging the histories as effective cultural conjunctions between nations . Directors in the nineties saw the international language of the theater and politics as a convenient form of emerging ...
Сторінка 25
Monica Matei-Chesnoiu. the nineties , liberated from the straight jacket of political meanings , theaters and directors concentrated on what the productions of Shakespeare's comedies and tragedies represented for the Roma- nian theater ...
Monica Matei-Chesnoiu. the nineties , liberated from the straight jacket of political meanings , theaters and directors concentrated on what the productions of Shakespeare's comedies and tragedies represented for the Roma- nian theater ...
Сторінка 29
... meanings in its sym- bolic corners , for instance — there is referentiality to the culture that produces it , and to the reader who reads it . " Like in the art of the surveyor or map - maker , in referring to foreign spaces ...
... meanings in its sym- bolic corners , for instance — there is referentiality to the culture that produces it , and to the reader who reads it . " Like in the art of the surveyor or map - maker , in referring to foreign spaces ...
Сторінка 31
... the significance of a hole in the flag , a declara- tion of change , a denial of the past , the answer Healy suggests is " an acknowledgment of absence " '19 and an uncertainty of meaning 2 : EARLY TRANSLATIONS OF SHAKESPEARE IN ROMANIA 31.
... the significance of a hole in the flag , a declara- tion of change , a denial of the past , the answer Healy suggests is " an acknowledgment of absence " '19 and an uncertainty of meaning 2 : EARLY TRANSLATIONS OF SHAKESPEARE IN ROMANIA 31.
Зміст
19 | |
27 | |
Shakespeares Decalogue English Histories in Romania | 67 |
Romanian Metamorphoses Comedies | 96 |
Shakespeare Communism and After Tragedies | 158 |
Staging Revenge and Power Masks of Romanian Hamlets | 194 |
Romanian Mental and Theatrical Maps Romances | 220 |
Notes | 237 |
Bibliography | 254 |
Index | 266 |
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Загальні терміни та фрази
actors Alexandru allusions Andrei Şerban artistic ater became Bucharest National Theater Bulandra Theater Ceauşescu Cernescu's characters Cluj Cluj National Theater Cluj-Napoca Communist regime Communist Romania Craiova directed domination dramatic duction early modern Eastern European Elizabethan focused Ghica Hamlet Iaşi Ibid ideological interpretation Ioan issues King John King Lear language Liviu Ciulei Macbeth manian Measure for Measure Mihai mode moral nian nineteenth century Nottara Theater Othello performance period play's political production of Hamlet productions of Shakespeare's revenge reviewing Richard Richard II role Roma România Literară Romanian audiences Romanian culture Romanian directors Romanian productions Romanian stage Romanian theater Romanian translations romantic Russian scene Shake Shakespeare in Europe Shakespeare in Romania Shakespeare text Shakespeare's comedies Shakespeare's histories Shakespeare's plays showed significant social speare speare's spectacle subversive suggested symbolic Teatrul azi theater critic theatrical Timişoara Timon of Athens tion tragedies translations of Shakespeare Twelfth Night Vlad Mugur Western
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Сторінка 242 - For that which befalleth the sons of men befalleth beasts ; even one thing befalleth them : as the one dieth, so dieth the other ; yea, they have all one breath ; so that a man hath no preeminence above a beast ; for all is vanity. All go unto one place ; all are of the dust, and all turn to dust again.
Сторінка 227 - ... On this view the ensuing sacrifice of family members is the final, violent stage of potlatch undertaken by Leontes as a primitive affirmation of honor. The elements of gift and sacrifice appear in the first half of The Winter's Tale as the local enactment of the annual drama of the Winter Solstice. Shakespeare rewrote the story of Robert Greene's Pandosto by reversing the positions of the two kingdoms, making Sicily rather than Bohemia the locus of the initiating action, and by changing the names...
Сторінка 240 - The Discerning Reader: Christian Perspectives on Literature and Theory, ed. David Barratt, Roger Pooley, and Leland Ryken, 155-75 (Leicester, England: Apollos-Inter-Varsity Press, 1995). 63. George Bari(, "Mil2 dupa Shakespeare" [Mercy, after Shakespeare], Foaie pentru minte, inimd si literaturd, 1840, 118.
Сторінка 54 - Carp, who was to become leader of the Conservative Party and prime minister.
Сторінка 237 - lago's Alter Ego: Race as Projection in Othello" Shakespeare Quarterly 48, no.
Сторінка 259 - Appropriating the Author of The Faerie Queene: The Attribution of the View of the Present State of Ireland and A Brief Note of Ireland to Edmund Spenser," in Soundings of Things Done: Essays in Early Modem Literature in Honor of SK Heninger, Jr., ed.
Сторінка 26 - Europe as a site for the recovery and reconstruction of values that were perceived to be under threat, or already lost"12 in the years from 1945 to 1965.