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complaining of the Liberties Mazarine (Cardinal) his Beha
viour to Quillet, who had re-
flected upon him in a Poem,
N. 23.

taken in Country-Dances,
67. from James to Betty, 71.
to the Spectator, from the
Ugly Club at Cambridge, 78.
from a whimsical young Lady,
79. from B. D. defiring a
Catalogue of Books for the
Female Library, ibid.
Letter-Droppers of Antiquity,

who, N. 59.

Library, a Lady's Library de-
fcrib'd, N. 37.
Life, the Duration of it uncer-
tain, N. 27.
Lindamira, the only Woman
allowed to paint, N. 41.
Lion in the Hay-market, occa-
fioned many Conjectures in
the Town, N. 13. very gentle
to the Spectator, ibid.
London an Emporium for the
whole Earth, N. 69.
Love, the general Concern of
it, N. 30.

Love of the World, our Hearts
mif-led by it, N. 27.

Merchants of great Benefit to
the Publick, N. 69.
Mixt Wit defcribed, N. 62.
Mixt Communion of Men and
Spirits in Paradife, as de-
fcribed by Milton, N. 12.
Mode, on what it ought to be
built, N. 6.

Modefty, the chief Ornament
of the Fair Sex, N. 6.
Moliere made an old Woman
a Judge of his Plays, N. 70.
Monuments in Westminster-
Abbey examined by the Specta-
tor, N. 26.

Mourning, the Method of it
confidered, N. 64. Who the
greatest Mourners, ibid.
Mufick banifht by Plato out of
his Commonwealth, N. 18,
Of a relative Nature, 29.

N.

Luxury, what, N. 55. attend-Eighbourhoods, of whom
ed often with Avarice, ibid.

59.

confifting, N. 49.

A Fable of thofe two Vices, Newberry (Mr.) his Rebus, N,
ibid.
Lowngers, a new Sect of Philo-
fophers in Cambridge, N. 54.

M.

AAN a fociable Animal,

MAN,. foci of Animb?
lick and private Virtues owing
to Men of Parts, 6.
Mafquerade, a Complaint a-
gainst it, N. 8. The Defign of
it, ibid.

New River, a Project of bring-
ing it into the Play-houle,

N. 5.

Nicolini (Signior) his Voyage
on Pafte-board, N. 5. His

Combat with a Lion, 13. Why
thought to be a fham one, ibid.
An excellent Actɔr, ibid.

O.

Ates, (Dr.) a Favourite
with fome Party Ladies,

N. 57.

Ogler, the Compleat Ogler,

N. 46.

Particles, English, the Honour
done to them in the late Ope
ras, N. 18.
Paffions, the Conqueft of them.
a difficult Task, N. 71.
Peace, fome ill Confequences
of it, N. 45.

Old Maids generally fuperfti- Peepers defcribed, N. 53.

tious, N. 7.

Old Teftament in a Peruke,
N. 58.
Opera, as it is the prefent En-
tertainment of the English
Stage, confidered, N. 5. The
Progrefs it has made on our
Theatre, 18. Some Account
of the French Opera, 29.
Orway commended and cen-
fured, N. 39.
Overdo, a Juftice at Epping,
offended at the Company of
Strolers for playing the Part
of Clodpate, and making a
Mockery of one of the Quo-
rum, N. 48.

Oxford Scholar, his great Dif-
covery in a Coffee-house,
N. 46.

P.

Pintribute more than the
Ainter and Tailor often
Poet to the Succefs of a Tra-
gedy, N. 42.

Parents, their taking a liking to
a particular Profeffion often
occafions their Sons to mif-
carry, N. 21.

Parties crept much into the
Converfation of the Ladies,
N. 57. Party-Zeal very bad
for the Face, ibid.

Pharamond, Memoirs of his
private Life, N. 76. His great
Wifdom, ibid.
Philautia, a great Votary, N.'
79.

Philofophy, the Ufe of it, N,
7. faid to be brought by So-
crates down from Heaven, 10.
Phyfician and Surgeon, their
different Employment, N. 16.
the Phyficians a formidable
Body of Men, 21. compared
to the British Army in Cafar's
Time, ibid. Their Way of
converting one Distemper in-
to another, 25.

Picts, what Women fo called,
N. 41. No Faith to be kept
with them, ibid.
Pinkethman to perfonate King
Porus on an Elephant, N. 31.
Players in Drury-Lane, their in-
Poems in Picture, N. 58.
tended Regulations, N. 36.
Poets (English) reproved, N.39,
40. their Artifices, 44.
Poeteffes (English) wherein re-
markable, N. 51.

Powell (Senior) to ac Alexan-
der the Great on a Dromeda-
ry, N. 31. His Artifice to raise
a Clap. N. 40.
Powell (Junior) his great Skill
in Motions, N. 14. His Per-
formance

formance preferred to the Opera of Rinaldo and Armida, ibid.

Praife, the Love of it implanted in us, N. 38. Pride a great Enemy to a fine Face, N. 33. Profeffions, the three great ones over-burdened with Practitioners, N. 21. Projector, a fhort Defcription of one, N. 31. Profper (Will.) an honeft Talebearer, N. 19. Punchinello frequented more than the Church, N. 14. Punch out in the Moral Part, ibid. Punning much recommended by the Practice of all Ages, N.

61.

In what Age the Punn chiefly flourished, ibid. a famous Univerfity much in

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Rebus, a kind of false Wit in Vogue among the Ancients, N. 25. and our own Countrymen, ibid. A Rebus at Blenheim Houfe condemned, ibid. Recitativo, (Italian) not agreeable to an English Audience, N. 29. Recitative Mufick in every Language ought to be adapted to the Accent of the Language, ibid.

Retirement, the Pleasure of it, where truly enjoyed, N. 4. Rich (Mr.) would not fuffer the Opera of Whittington's Cat to be performed in his Houfe, and the Reafon for it, N. 5. Royal Exchange, the great Refort to it, N. 69.

fested with it, ibid. why ba- S

S.

Almon (Mrs.) her Ingenuity, N. 28.

nished at prefent out of the Sanctorius his Invention, N.

Learned World, ibid. The 25.

Definition of a Punn, ibid.

Q.

Scholar's Egg, what fo call'd,

N. 58.

Quality no Exemption from Sempronia a profeffed Admirer

Reproof, N. 34.

of the French Nation, N. 45. Quixot (Don) Patron of the Sense: fome Men of Senfe

Sighers Club, N. 30.

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more despicable than common Beggars, N. 6. Sentry, a Member of the Spectator's Club, his Character, N. 2. Sextus Quintus, the Pope, an Inftance of his unforgiving Temper, N. 23.

Shadows and Realities not mix, ed in the fame Piece, N. 5. Shovel (Sir CloudeЛly) the ill Contrivance of his Monument, in Westminster-Abby, N. 26.

Sidney (Sir Philip) his Opinion of the Song of Chevy Chafe, N. 70.

Sighers, a Club of them in Oxford, N. 30. Their Regulations, ibid.

Sign-Pofts, the Abfurdities of many of them, N. 28. Socrates, his Temper and Prudence, N. 23. Solitude; an Exemption from Paffions the only pleasing Solitude, N. 4.. Sophocles his Conduct in his Tragedy of Electra, N. 44. Sparrows bought for the use of the Opera, N. 5. Spartan Virtue acknowledged by the Athenians, N. 6. Spectator (the) his Prefatory Difcourfe, N. 1. His great Taciturnity, ibid. His Vision of Publick Credit, 3. His Entertainment at the Table of an Acquaintance, 7. His Recommendation of his Speculations, 10. Advertised in the Daily Courant, 12. His Encounter with a Lion behind the Scenes, 13. the Defign of his Writings, 16. No Partyman, ibid. A little unhappy in the Mold of his Face, 17. His Artifice, 19. His defire to correct Impudence, 20. And Refolution to March on in the Caufe of Virtue, 34. His Vifit to a travelled Lady, 45. His Speculations in the firft Principles, 46. An odd Accident that befel him at Lloyd's Coffee-houfe, ibid,

His Advice to our English
Pindarick Writers, 58. His
Examen of Sir Foplin Flutter,
65.

Spleen, a common Excuse for
Dulness, N. 53.
Starers reproved, N. 20.
Statira, in what propofed as a
Pattern to the Fair Sex, N. 41.
Superftition, the Folly of it de-
fcrib'd, N. 7.
Susanna, or

Innocence be-
tray'd, to be exhibited by Mr.
Powell, with a new pair of
Elders, N. 14.

'T.

Empler, one of the Spectator's Club, his Character,

N. 2.

That, his Remonftrance, N. 80.
Theatre, (English) the Practice
of it in feveral Inftances cen-
fured, N. 41, 44, 5 1.
Thunder, of great use on the
Stage, N. 44.

Thunderer to the Play-hotfe,
the Hardships put upon him,
and his defire to be made a
Cannon, N. 36.
Tom Tits to perfonate the fing-
ing Birds in the Opera, N. 5.
Tom the Tyrant, first Minister
of the Coffee-house, between
the Hours of Eleven and
Twelve at Night, N. 49.
Tombs in Westminster visited by
the Spectator, N. 26. his Re-
flection upon it, ibid.
Trade, the Benefit of it to
Great Britain, N. 69.

Tragedy;

W.

Tragedy; a perfect Tragedy the nobleft Production of hu- WHO and Which, their Petition to the Specta

man Nature, N. 39. Where-
in the Modern Tragedy ex-
cels that of Greece and Rome,
ibid. Blank Verfe the most
proper for an English Tragedy,
ibid. The English Tragedy
confider'd, ibid.
Tragi-Comedy, the Product of
the English Theatre, a mon-
ftrous Invention, N. 40.
Travel, highly neceffary to a
Coquet, N. 45. The Behavi-
our of a travell'd Lady in the
Play-Houfe, ibid.

Truth, an Enemy to falfe
Wit, N. 63.
Tryphiodorus, the great Lipo-
grammatift of Antiquity, N.

59.

U

tor, N. 78.

Wit, the mischief of it when
accompanied with Vice, N.
23; very pernicious when not
tempered with Virtue and
Humanity, ibid. turned into
Deformity by Affectation, 38.
Only to be valued as it is ap-
plied, N. 6. Nothing fo much
admired and fo little under.
ftood, 58. The History of
falfe Wit, ibid. Every Man
would be a Wit if he could,
59. The way to try a piece
of Wit, 62. Mr. Lock's Re-
flection on the difference be-
tween Wit and Judgment,
ibid. The God of Wit de-
fcrib'd, 64.

Women, the more powerful
Part of our People, N. 4.

TENICE preferv'd, a Tra- their ordinary Employments,

Plot, N. 39. Uglinefs, fome Speculations upon it, N. 32. Vifit; a Vifit to a travell'd Lady, which the receiv'd in her Bed, defcrib'd, N. 45. Underftanding, the Abufe of it is a great Evil, N. 6. Vocifer, the Qualifications that

15. Their usual Converfation, ibid. Their strongest Paffion, 33. Not to be confider'd meerly as Objects of Sight, ibid.

Woman of Quality, her Dress the Products of an hundred Climates, N. 69.

Y.

make him pafs for a fine Gen- YARICO, the Story of her tleman, N. 75.

Adventure, N. 11.

The End of the Firft Volume.

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