The music, or melody of rhythmus of language

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Georg Olms Verlag, 1972 - 250 стор.
 

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Quantity what its use in Syllables Cadences and Pauses
8
Grand distinction of Emphasis into Thesis and ARSIS
14
Thesis and Arsis overlooked or misunderstood by Com
16
Difference between Scanning and Reading the Classics
22
Lengths of Poetic lines no necessary part of Rhythmus
28
Cadence what and how divided
29
English Sapphics Triple Time
35
Accurate knowledge of Syllables how necessary
41
Exercises on the preceding rules
137
Sacred Pieces in Prose and Verse
152
Habakkuk Chap 3d
159
The Ten Commandments
165
A Hymn
171
The Dying Christian to his Soul with Pauses Emphases
178
The Scale of Reading
180
Azims Entry to the Palace of Mokanna
187

Cadences of Prose and Verse marked
47
Measuring Prose and VerseChange of Time or Rhyth
48
Words marked with proper Accent Quantity and Emphasis
56
Definition of Music when applied to Song and to Speech 2
65
Reformation of Prosodians not the only object of this
72
The Organs collectively considered as a Musical Instru
76
Various passages selected as Exercises to be marked with
78
Exercises to be marked with Thesis and Arsis Pause
85
Exercises to be marked with Thesis and Arsis Bars or
98
Exercises to be marked with Thesis and Arsis Bars or
111
Exercises to be marked with all the Accidents of Speech
128
Medoras Song Byron
193
Monody on the Princess Charlotte of Wales Campbell
199
The Spirit of Music Moores Lalla Rookk
205
Satans Soliloquy Ibid
214
Adam and Eves Morning Hymn Milton
221
Accentual Slides among the Greeks posterior to the days
228
Sense Taste and Genius distinguished Usher
230
The Patriot Soldier Doyle
236
The Five grand Accidents of Speech
238
Pulteney on reducing the Army 288
243
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