 | 1798 - 484 стор.
...remember to have obferved, in a Picture of Diatreci, which I law in a private Cabinet at Bruflels, the contrary effect. In that performance there appeared...of each as careful an attention was paid, as if it Vrere a let Academy figure. Here feemed to be nothing left to chance j all the nymphs (the fubject... | |
 | 1798 - 752 стор.
...I remember to have obferved, in a pifture of Diatreci, which I faw in a private cabinet at Brufleh, the contrary effect. In that performance there appeared...pervading genius; though every individual figure was corredly drawn, and to the notion of each as careful an attention was paid^ as if it were a fet Academy... | |
 | 1798 - 756 стор.
...remember to have obferved, in a piflure of Diatreci, which I iaw in a private cabinet at Bruflels, the contrary effect. In that performance there appeared to be a total abfence of this pervading genios; though every individual figure was correclly drawn, and to the action of each as careful an... | |
 | 1798 - 554 стор.
...rcn-.cmhcr to have onfervcd, in a Picture of Diatrcci, which 1 law in a private Cabinet at BrulTels, the contrary effect. In that performance there appeared to be a total ahfence of this pervading genius ; though every individual figure was correctly drawn, and to the action... | |
 | sir Joshua Reynolds - 1801 - 450 стор.
...I remember to have observed in a picture of Diatreci, which I saw in a private cabinet at Brussels, the contrary effect. In that performance there appeared to be a total absence of this pervading genius; though every individual figure was correctly drawn, and to the action... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 стор.
...I remember to have observed in a picture of Diatreci, which I saw in a private cabinet at Brussels, the contrary effect. In that performance there appeared to be a total absence of this pervading genius; though every individual figure was correctly drawn, and to the action... | |
 | 1807 - 800 стор.
...remember to have obferved, in a picture of Diatreci, which I faw in a private cabinet at Bruilèls, the contrary effect. In that performance there appeared to be a total ablence of this pervading genius ; though every individual figure was correctly drawn, and to the action... | |
 | Alexander Chalmers - 1816 - 538 стор.
...cabinet at Brussels, the contrary effect. In that performance there appeared to he a total absence of this pervading genius ; though every individual...as careful an attention was paid, as if it were a set academy figure. Here seemed to be nothing left to chance; all the nymphs (the subject was the Bath... | |
 | 1816 - 536 стор.
...cabinet at Brussels, the contrary effect. In that performance there appeared to he a total absence of this pervading genius ; though every individual...as careful an attention was paid, as if it were a set academy figure. Here seemed to be nothing left to chance; all the nymphs (the subject was the Bath... | |
 | Alexander Chalmers - 1816 - 538 стор.
...I remember to have observed in a picture of Diatreci, which I saw in a private cabinet at Brussels, the contrary effect. In that performance there appeared to be a total absence of this pervading genius ; though every individual figure was correctly drawn, and to the action... | |
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In that performance there appeared to be a total absence of this pervading genius ; though every individual figure was correctly drawn, and to the action of each as careful an attention was paid, as if it were a set Academy figure. 
