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In varying forms fantastic wander white;
Or turns his ear to every random song,
Heard the green river's winding marge along,
The whilst each sense is steep'd in still delight:
With such delight o'er all my heart I feel,

Sweet Hope! thy fragrance pure and healing incense steal!

APRIL.

WHOSE was the gentle voice, that, whispering sweet,
Promised, methought, long days of bliss sincere?
Soothing it stole on my deluded ear,

Most like soft music, that might sometimes cheat
Thoughts dark and drooping! "Twas the voice of Hope :
Of love and social scenes, it seem'd to speak,
Of truth, of friendship, of affection meek;
That oh! poor friend, might to life's downward slope
Lead us in peace, and bless our latest hours.

Ah me! the prospect sadden'd as she sung;
Loud on my startled ear the death-bell rung;
Chill darkness wrapt the pleasurable bow'rs,
Whilst horror, pointing to yon breathless clay,
"No peace be thine," exclaim'd, "away! away!"

MAY.

How shall I meet thee, Summer, wont to fill
My heart with gladness, when thy pleasant tide
First came, and on each coomb's romantic side
Was heard the distant cuckoo's hollow bill?
Fresh flow'rs shall fringe the wild brink of the stream,
As with the song of joyance and of hope,
The hedge-rows shall ring aloud, and on the slope
The poplars sparkle on the transient beam,
The shrubs and laurels which I love to tend,

Thinking their May-tide fragrance might delight,
With many a peaceful charm, thee, my best friend,

Shall put forth their green shoot, and cheer the sight! But I shall mark their hues with sick'ning eyes, And weep for her who in the cold grave lies!

NETLEY ABBEY.

FALL'N pile! I ask not what has been thy fate;
But when the weak winds, wafted from the main,
Through each rent arch, like spirits that complain,
Come hollow to my ear, I meditate

On this world's passing pageant, and the lot

Of those who once full proudly in their prime
And beauteous might have stood, till bow'd by time
Or injury, their early boast forgot,

They may have fallen like thee: pale and forlorn,
Their brows, besprent with thin hairs, white as snow,
They lift, majestic yet, as they would scorn

This short-lived scene of vanity and woe;
Whilst on their sad looks, smilingly, they bear
The trace of creeping age, and the dim hue of care!

REMEMBRANCE.

I SHALL look back, when on the main,-
Back to my native isle,

And almost think I hear again

Thy voice, and view thy smile.

But many days may pass away
Ere I again shall see

Amid the young, the fair, the gay,—

One who resembles thee.

Yet when the pensive thought shall dwell
On some ideal maid,

Whom fancy's pencil pictured well,

And touched with softest shade :

The imaged form I shall survey,
And, pausing at the view,
Recal thy gentle smile, and say,
"Oh, such a maid I knew!"

нһ

MARY TIGHE was born in Ireland, in the year 1773. Her father was the Rev. William Blachford, who died a few months after his daughter's birth. She was married early to Mr. Tighe, a gentleman of distinguished family in the county of Wexford. A considerable portion of her life was spent at Woodstock, the seat of her brother-in-law, one of the most beautiful and romantic places in Ireland. Her life was one of more than ordinary trial: her marriage was not a happy one; and she was for many years afflicted with ill health. She died at Woodstock, on the 24th of March,

1810.

From the year 1804 to her death, Mrs. Tighe had been deprived of the use of her limbs; and the poems she composed were dictated to an amanuensis. She was still lovely; and is described as having been, in early life, eminently beautiful. The affection of her brother-in-law-a gentleman of considerable literary taste-and the attentions of his accomplished lady, in some degree atoned for the neglect she experienced from her husband.

"Psyche," the poem upon which mainly depends the reputation of Mrs. Tighe, was printed only for private circulation during the lifetime of the writer. it was published after her death, and became exceedingly popular,-passing rapidly through several editions. It is written in the Spenserian stanza; and is founded on the allegory of Love and the Soul. The author was aware of the difficulties with which she had to contend, in following the plan of the ancient poets-" the fountains and first fruits of wisdom"-who their choicest fables

Wrapt in perplexed allegories ;"

and perhaps would have been amazed at the extent of popularity achieved by her poem. She wrote with but a very remote idea of finding fame beyond her own limited circle. It is but reasonable to suppose that much of her posthumous reputation was obtained by the sad, yet interesting, history of her life; for her genius can scarcely be considered as of a sufficiently high and original character to overcome the obstacles she herself perceived. The narrative is tedious; and the style, although highly refined, is tame and encumbered with imagery. The Editor of the volume, in a brief preface to her works, describes her as displaying an "intimate acquaintance with classical literature, and as guided by a taste for real excellence," "as one who has delivered in polished language such sentiments as can tend only to encourage and improve the best sensations of the human heart." Such merit is undoubtedly hers; she affords abundant proof of an amiable and highly cultivated mind; but she can scarcely be classed high among the Poets of her age and country. Among her minor compositions, there are several of exceeding delicacy and beauty; that "On Receiving a Branch of Mezereon," was written only a few days prior to her death.

Her poems were produced at a period when proofs of female intellect were rare. The world has since been more fortunate. The Muses are no longer jealous of the Graces. Their alliance has added greater softness and sweetness to previous strength; the female character has shed its influence on the tone of our literature, as well as on that of the domestic circle. The preceding volumes of this Work contained no examples of female genius ;-they were sought for earnestly, but were not found. The present contains many. It is both the peculiarity and the glory of our age, that it has kept pace with the advances of masculine intellect, without encroaching on its province. Such an accession to the Muses' train was in every respect desirable and necessary, to fill up a blank in letters, a void in the history of the human mind,-or to give the last finishing to the symmetry and beauty of that ancient and much-vaunted edifice, the Temple of Fame.

"Firm Doric pillars found its solid base;

The fair Corinthian crown the higher space :
Thus all below is strength, but all above is grace.”

We may avail ourselves of this opportunity to express our regret that the rules to which we are necessarily limited, must preclude from introduction into this volume, the names of several other women, who have obtained and merited a large share of popularity. They will readily occur to our readers.

TIGHE.

HAGAR IN THE DESERT.

INJURED, hopeless, faint, and weary, Sad, indignant, and forlorn, Through the desert wild and dreary, Hagar leads the child of scorn.

Who can speak a mother's anguish,
Painted in that tearless eye,
Which beholds her darling languish,-
Languish unrelieved, and die.

Lo! the empty pitcher fails her,
Perishing with thirst he lies;

Death, with deep despair assails her,
Piteous as for aid he cries.

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From the dreadful image flying,
Wild she rushes from the sight;
In the agonies of dying

Can she see her soul's delight?

Now bereft of every hope,

Cast upon the burning ground, Poor, abandoned soul! look up, Mercy have thy sorrows found.

Lo! the angel of the Lord

Comes thy great distress to cheer; Listen to the gracious word,

See divine relief is near.

Care of Heaven! though man forsake thee,

Wherefore vainly dost thou mourn? From thy dream of woe awake thee, To thy rescued child return.

Lift thine

eyes, behold yon fountain, Sparkling mid those fruitful trees; Lo! beneath yon sheltering mountain Smile for thee green bowers of ease.

In the hour of sore affliction,

God hath seen and pitied thee; Cheer thee in the sweet conviction, Thou henceforth his care shalt be.

Be no more by doubts distressed,
Mother of a mighty race!
By contempt no more oppressed,
Thou hast found a resting place."

Thus from peace and comfort driven,
Thou, poor soul, all desolate;
Hopeless lay, till pitying Heaven
Found thee, in thy abject state.

O'er thy empty pitcher, mourning,
Mid the desert of the world;

Thus, with shame and anguish burning.

From thy cherished pleasures hurled :

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