And, while around it storm as fierce seemed troubling Strong as an eagle with my charge I glided round and earth and air, round I saw, within, the Norman boy kneeling alone in prayer. The wide-spread boughs, for view of door, window, and stair that wound The child, as if the thunder's voice spake with articu- Gracefully up the gnarled trunk; nor left we unsurveyed The pointed steeple peering forth from the centre of the shade. late call, Bowed meekly in submissive fear, before the Lord of All; His lips were moving; and his eyes, upraised to sue for grace, I lighted-opened with soft touch the chapel's iron door, With soft illumination cheered the dimness of that place. Past softly leading in the boy; and, while from roof to On wings, from broad and steadfast poise let loose by "Then offer up thy heart to God in thankfulness and this reply, praise, busy days; For Allonville, o'er down and dale, away then did Give to Him prayers, and many thoughts, in thy most we fly; O'er town and tower we flew, and fields in May's fresh And in His sight the fragile cross, on thy small hut, verdure drest; The wings they did not flag; the child, though grave, Holy as that which long hath crowned the chapel of was not deprest. will be this tree; But who shall show, to waking sense, the gleam of light "Holy as that far seen which crowns the sumptuous Church in Rome that broke Forth from his eyes, when first the boy looked down on Where thousands meet to worship God under a mighty that huge oak, dome; For length of days so much revered, so famous where He sees the bending multitude, he hears the choral it stands rites, For twofold hallowing-Nature's care, and work of Yet not the less, in children's hymns and lonely prayer, delights. human hands? [These lines are quoted by Coleridge in The Friend,' to illustrate a principle expressed in a passage of that work, which may be here inserted as a reciprocal illustration. 66 Men laugh at the falsehoods imposed on them during their childhood, because they are not good and wise enough to contemplate the past in the present, and so to produce by a virtuous and thoughtful sensibility that continuity in their self-consciousness, which nature has made the law of their animal life. Ingratitude, sensuality, and hardness of heart, all flow from this source. Men are ungrateful to others only when they have ceased to look back on their former selves with joy and tenderness. They exist in fragments. Annihilated as to the past, they are dead to the future, or seek for the proofs of it everywhere, only not (where alone it can be found) in themselves. A contemporary poet has expressed and illustrated this sentiment with equal fineness of thought and tenderness of feeling: My heart leaps up when I behold Or let me die. The child is father of the man, "I am informed, that these very lines have been cited as a specimen of despicable puerility. So much the worse for the citer: not willingly in his presence would I behold the sun setting behind our mountains, or listen to a tale of distress or virtue; I should be ashamed of the quiet tear on my own cheek. But let the dead bury the dead! The poet sang for the living I was always pleased with the motto placed under the figure of the rosemary in old herbals: 'Sus apage! Haud tibi spiro."" 'The Friend,' Vol. I. p. 58.-H. R.] Note 2, p. 81. [The impression made by the poem referred to upon the mind of Coleridge is in some measure shown by the fact that this extract and another on the French Revolution were first published in 'The Friend.' A ́ record of his feelings-of the manner in which his spirit was moved by the perusal - may be found in his Poetical Works; and it forms so precious a comment -the best of all kinds-poet responding to poet-that I have appended it in this note. It is due to a poem so worthy of its lofty theme, and of him who wrote and The hand of man, however, has endeavoured to impress him who is addressed. In thus appending it, I cannot upon it a character still more interesting, by adding a but hope that I am rendering a grateful service to every religious feeling to the respect which its age naturally reflecting reader of this volume - -a service too, which inspires. a restraining modesty might prevent Mr. Wordsworth from rendering in his own edition.- H. R. The poem by Coleridge, referred to in the above note, is transferred in this edition to what has become a more appropriate place, and will be found as an introduction to 'THE PRELUDE.' — H. R.] Note 3, p. 82. "The Norman Boy.' "Among ancient trees there are few, I believe, at least in France, so worthy of attention as an oak which may be seen in the 'Pays de Caux,' about a league from Yvetot, close to the church, and in the burialground of Allonville. The height of this tree does not answer to its girth; the trunk, from the roots to the summit, forms a complete cone; and the inside of this cone is hollow throughout the whole of its height. Such is the Oak of Allonville, in its state of nature. The lower part of its hollow trunk has been transformed into a chapel of six or seven feet in diameter, carefully wainscoted and paved, and an open iron gate guards the humble sanctuary. Leading to it there is a staircase, which twists round the body of the tree. At certain seasons of the year divine service is performed in this chapel. The summit has been broken off many years, but there is a surface at the top of the trunk, of the diameter of a very large tree, and from it rises a pointed roof, covered with slates, in the form of a steeple, which is surmounted with an iron cross, that rises in a picturesque manner from the middle of the leaves, like an ancient hermitage above the surrounding wood. Over the entrance to the chapel an inscription appears, which informs us it was erected by the Abbé du Détroit, Curate of Allonville, in the year 1696; and over a door is another, dedicating it To Our Lady of Peace."" Vide 14 No. Saturday Magazine. POEMS FOUNDED ON THE AFFECTIONS. His expectations to the fickle winds THE BROTHERS.* And perilous waters, with the mariners "THESE Tourists, Heaven preserve us! needs must A fellow-mariner, and so had fared A profitable life: some glance along, Tombstone nor name-only the turf we tread He fed the spindle of his youngest Child, Who turned her large round wheel in the open air This Poem was intended to conclude a series of pastorals, the scene of which was laid among the mountains of Cumberand and Westmoreland. I mention this to apologise for the ab ruptness with which the poem begins Through twenty seasons; but he had been reared Of caves and trees: - and, when the regular wind And blew with the same breath through days and Lengthening invisibly its weary line Along the cloudless Main, he, in those hours And, while the broad green wave and sparkling foam Saw mountains,-saw the forms of sheep that grazed And now, at last, + This description of the Calenture is sketched from an imperfect recollection of an admirable one in prose, by Mr. Gilbert, author of The Hurricane 87 |