Thomas Hardy's Epic-drama: A Study of The DynastsUniversity of Kansas Press, 1963 - 122 стор. Hardy's poem seen as the culmination of the poet's career. |
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Сторінка 45
... characters . He was still not sure how to focus his knowledge : " It might be called ' Napoleon , " he wrote , " or ... character of an aggregate of countless units , and becomes an organic whole , a molluscous black creature having ...
... characters . He was still not sure how to focus his knowledge : " It might be called ' Napoleon , " he wrote , " or ... character of an aggregate of countless units , and becomes an organic whole , a molluscous black creature having ...
Сторінка 49
... characters would show up as sorry human beings . He planned to transcribe conversations of historical personages from historical sources , or to make them consonant with the known characters of these personages . He would consult " oral ...
... characters would show up as sorry human beings . He planned to transcribe conversations of historical personages from historical sources , or to make them consonant with the known characters of these personages . He would consult " oral ...
Сторінка 61
... characters in pairs and as contrasts , demon- strating his familiarity with the Shakespearean principle of " mir- ror scenes , " the small scenes that use minor characters to show how the actions of princes affect the state . But he ...
... characters in pairs and as contrasts , demon- strating his familiarity with the Shakespearean principle of " mir- ror scenes , " the small scenes that use minor characters to show how the actions of princes affect the state . But he ...
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Achilles admired Alfred Noyes artistic Bailey battle become believed Burke Burke's Carl CHAPTER characters Christian concept criticism death decade December doctrine drama Dynasts E. M. W. Tillyard Early earth edition editors Emperor England English epic epic-drama Europe Eustacia Fiction final Fore Scene French Hardy of Wessex Hardy wrote Hardy's Dynasts Heaven Homer human Ibid Iliad Immanent intention irony J. O. Bailey Jude Jude the Obscure late later Leslie Stephen Letters literary literature London Macmillan Magazine man's manuscript March Marie Louise Max Gate meaning ment Milton modern Napoleon narrative never novel Paradise Lost perhaps philosophy Pities poem poet poetry prose published readers recorded Review Rutland Schopenhauer seems sense serial Spirit Ironic story sublimity Sydney Carlyle Cockerell T. S. Eliot Tess things Thomas Hardy thought tion tragedy Trumpet-Major unconscious universe verse viii Waterloo Weber Wellington Wessex writing written York